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		<title>My Year in Reading 2011 &#8211; Part 2</title>
		<link>http://www.bloggingthebookshelf.com/2011/12/23/my-year-in-reading-part-2/</link>
		<comments>http://www.bloggingthebookshelf.com/2011/12/23/my-year-in-reading-part-2/#comments</comments>
		<pubDate>Thu, 22 Dec 2011 23:32:37 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
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		<description><![CDATA[Following on from Monday’s post, here’s the second half of my reading for 2011: “Dancing in the Glory of Monsters: The Collapse of the Congo and the Great War of Africa”, Jason Stearns – A history of the Congo Wars; a twenty year conflict that involved a dozen countries and cost six million lives that [...]]]></description>
			<content:encoded><![CDATA[<p>Following on from <a href="http://www.bloggingthebookshelf.com/2011/12/19/my-year-in-reading-2011/">Monday’s post</a>, here’s the second half of my reading for 2011:</p>
<ol>
<li><a href="http://www.amazon.com/Dancing-Glory-Monsters-Collapse-Africa/dp/1586489291/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321330045&amp;sr=1-1">“Dancing in the Glory of Monsters: The Collapse of the Congo and the Great War of Africa”</a>, Jason Stearns – A history of the Congo Wars; a twenty year conflict that involved a dozen countries and cost six million lives that most people have never heard about. Virtuoso journalism to tackle a conflict this complex and little known in the west and make it digestible to the average reader. Even better, Stearns doesn’t over-reach. His only conclusion is that there are no simple solutions to stabilising this region.  <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/Revolutionary-Road-Movie-Vintage-Contemporaries/dp/0307454789/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321330025&amp;sr=1-1">“Revolutionary Road”</a>, Richard Yates – A story of suburban ennui in 1950s America. I know a lot of people loved this book, but I was a bit underwhelmed. I guess I’m just unsympathetic to people complaining about the stultification of middle class life. Honestly, there are more important things to be angst ridden about. Buy &#8211; Borrow &#8211; <strong>Toss</strong></li>
<li><a href="http://www.amazon.com/Jungle-Book-Sterling-Classics/dp/1402743408/ref=sr_1_fkmr0_3?s=books&amp;ie=UTF8&amp;qid=1321330005&amp;sr=1-3-fkmr0">“The Jungle Book”</a>, Rudyard Kipling – A collection of short stories of life in Raj era India told through the eyes of animals and children. Reading Kipling, it’s easy to see how the English both achieved and destroyed so much around the world. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li>#<a href="http://www.amazon.com/gp/product/B005HLK25U/ref=kinw_myk_ro_title">“Recollections of a Bleeding Heart 10th Anniversary Edition”</a>, Don Watson – A personal history of life inside the PMO during the Keating Prime Ministership. Elegiac. Naïve. Inspirational. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/Psmith-Journalist-P-G-Wodehouse/dp/1466275308/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321250441&amp;sr=1-1">“Psmith Journalist”</a>, P.G.Wodehouse – Psmith moves to the United States and takes up journalism. I’ve largely forgotten this already. It’s Wodehouse, It’s Psmith. For better and for worse. What more do you need to know. Buy &#8211; Borrow &#8211; <strong>Toss</strong></li>
<li>“<a href="http://www.amazon.com/Orwell-Essays-linked-contents-ebook/dp/B005EJAS54/ref=sr_1_2?s=books&amp;ie=UTF8&amp;qid=1321250405&amp;sr=1-2">Fifty Orwell Essays</a>”, George Orwell – A collection of Orwell’s best non-fiction. From Colonial Burma to Revolutionary Spain, from the coal mines of Northern England to the literary circles of London, Orwell’s searing insight cuts to the nub of the great political and moral questions of the 20<sup>th</sup> Century. The best 99c you’ll ever spend on Amazon. You could teach an ethics course from this collection. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/Cannery-Row-Centennial-John-Steinbeck/dp/014200068X/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321250375&amp;sr=1-1">“Cannery Row”</a>, John Steinbeck – A novella about the inhabitants of the small Californian coastal community of Monterey. Brilliant. Every time I finish a Steinbeck I feel invigorated and enriched. A New Year Resolution to properly work through his catalogue. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li>“<a href="http://www.amazon.com/Columbine-Dave-Cullen/dp/B004Y6MT96/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321250352&amp;sr=1-1">Columbine</a>”, Dave Cullen – A detailed examination of the events leading up to and following the Columbine school massacre informed by the diaries and videos of the killers and thousands of interviews with members of the community. A great piece of journalism. A necessary one too to debunking the <em>many</em> myths that were perpetuated by the media in the aftermath of the shooting. Fascinating. I was surprised to learn that the shooting had nothing to do with bullying or teen alienation, or even for that matter shooting (it was really a failed bombing inspired by Timothy McVeigh).  Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Visit-Goon-Squad-Jennifer-Egan/dp/0307477479/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321250328&amp;sr=1-1">“A Visit From The Goon Squad”</a>, Jennifer Egan – The stories of a loosely linked set of characters in and around the music business interacting across time. I found the meta-debate around this book difficult to overcome. Jennifer Egan keeps getting thrown up as an example of a major female US literary fiction writer that doesn’t get the same credit as the Franzens’, Eugenidies’, Dellilo’s etc because US literature is a boys club. AVFTGS is cited as a book that doesn’t get the critical acclaim it deserves because female writers are overlooked (which is weird given all the prizes it won!). So I can’t help but compare the book to those guys – and I honestly don’t think it’s anywhere near being in their league. Maybe I am an unconscious misogynist, but I think Franzen’s work is significantly better than hers. My overall feeling is that it’s not substantial enough to be enduring. I can’t imagine as many people reading this book in ten years as are currently reading The Corrections for example.  The thing that worries me the most about the book in retrospect is how little of it I can actually remember just a few months on. I think by jumping between characters and time so frequently, she sacrificed the ability to focus on the substance to a greater extent. I thought most of the characters were only really sketched out rather than really developed in detail. Maybe that was the intention, but at the end of the book I found myself wishing that it was a whole book about Sasha, or maybe only three characters (maybe the guy in the last chapter and Benny as well?). But as it was I found it too fleeting. I don’t know. My feelings on this book are unstable, but I was ultimately unsatisfied. I did love the chapter written in powerpoint though.  Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Spy-Who-Came-Cold/dp/0802714544/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321250288&amp;sr=1-1">“The Spy Who Came in From The Cold”</a>, John LeCarre – Cross, double cross or triple cross? A cold war spy thriller of the first order. Not just a pot boiler either, but a literary work of real substance. Explores an interesting thread about the means and ends of politics and international relations and the consequences for individuals. When I was a teenager I loved Tom Clancy books, I wish I’d found LeCarre earlier instead.  <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/Hiroshima-John-Hersey/dp/092389165X/ref=sr_1_fkmr0_1?s=books&amp;ie=UTF8&amp;qid=1321250147&amp;sr=1-1-fkmr0">“Hiroshima”</a>, John Hersey – The seminal account of the nuclear attack on Hiroshima, told through the experiences of half a dozen survivors. Originally commissioned by the New Yorker and published shortly after the bombing, it’s brilliantly written with a tone pitched perfectly for the subject matter. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://en.wikipedia.org/wiki/Power_Without_Glory">“Power Without Glory”</a>, Frank Hardy – Roman à clef of the life of the corrupt Labor power broker, John Wren. Surprisingly good. Genuinely readable, even if it flagged a bit at the end. Insights into the nature of power and its exercise abound. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/300-Frank-Miller/dp/B004E3XCW2/ref=sr_1_1_title_0_main?s=books&amp;ie=UTF8&amp;qid=1321247803&amp;sr=1-1">“300”</a>, Frank Miller and Lynn Varley – Graphic novel portrayal of the battle of Thermopylae. After reading The Watchmen, V for Vendetta and 300, it’s pretty clear to me that there’s a crypto-fascist aspect to his world view. It’s a bit creepy.  Buy &#8211; Borrow &#8211; <strong>Toss</strong></li>
<li><a href="http://www.amazon.com/Marvels-Kurt-Busiek/dp/078514286X/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321247862&amp;sr=1-1">“Marvels”</a>, Kurt Busiek and Alex Ross – A graphic novel linking the stories of Marvel’s main superheros and filling new comers in on the universe. Supposedly one of the best of the superhero genre, but failed in a narrative sense for mine. Without emotional valence. One for the true fans only. Buy &#8211; Borrow &#8211; <strong>Toss</strong></li>
<li><a href="http://www.amazon.com/gp/product/B005BE3O4Y/ref=kinw_myk_ro_title">“The Defender”</a>, Jordan Conn – The story of 7’7’ Sudanese basketball oddity Manute Bol. No, he didn’t really kill a lion. Yes, he lived a bizarre, comical and tragic life regardless. A very interesting read. Incidentally, I really love the Kindle Single format (cheap, easily consumable in short bites), but I can’t seem to find much of interest in the Kindle store. I think they need to find a better way of helping people find content. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/gp/product/B004H0M8QS/ref=kinw_myk_ro_title">“The Great Stagnation: How America Ate All The Low-Hanging Fruit of Modern History, Got Sick, and Will (Eventually) Feel Better”</a>, Tyler Cowen – Academic economist and Internet polymath Tyler Cowen posits a theory for the stagnation of economic growth in the United States. No more free land to be productively utilised and under-educated people to have their human capital enriched means that the US (and the west more broadly) needs to work harder at the things that drive growth (science, R&amp;D etc). <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/gp/product/B005I5471A/ref=kinw_myk_ro_title">“The Unfinished Revolution: How New Labour Changed British Politics Forever”</a>, Philip Gould – A key Labour strategist from 1987-2010 writes about the modernisation of the UK Labour party and the six UK election campaigns that he advised on. Along with <em>“It’s not what you say, it’s what people hear”</em> by Frank Luntz, this is the book that I would most recommend for anyone interested in a practical handbook on political campaigning. Gould gets the big picture of campaign strategy, but also sets out in detail how to go about operationalising strategy during an election. First class. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/Nothing-Envy-Ordinary-Lives-North/dp/0385523912/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321248338&amp;sr=1-1">“Nothing to Envy: Ordinary Lives in North Korea”</a>, Barbara Demick – A US journalist pieces together the details of ordinary life in one city in North Korea through the stories of a exiles living in South Korea. If you have even the slightest curiosity about North Korea (particularly in light of the death of Kim Il Jung, you ought to grab this book. It’s fascinating and insightful. Close to the best book I read this year. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li>“<a href="http://www.amazon.com/Disgrace-Novel-J-M-Coetzee/dp/0143115286/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321248470&amp;sr=1-1">Disgrace</a>”, JM Coetzee – A South African Professors’ liaison with a student leads him to flee Cape Town in disgrace to live with his daughter in rural South Africa. A well told reflection on masculinity, fatherhood, power, repression, hatred and suffering.  <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li>“<a href="http://www.amazon.com/Reluctant-Fundamentalist-Mohsin-Hamid/dp/0156034026/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321248498&amp;sr=1-1">Reluctant Fundamentalist</a>”, Mohsin Hamid – Overachieving Pakistani working in the finance sector in New York has his relationship with the United States turned upside down by the September 11 attacks. I’m not sure that I fully bought the format of this book (it is told in form of a discussion between the protagonist and an unidentified American in a Pakistani city), but I did like the multiple layers of allegory that Hamid played with in this book. Layers upon layers of meaning everywhere you look. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li>“<a href="http://books.google.com.au/books/about/The_light_on_the_hill.html?id=S6-jAAAACAAJ&amp;redir_esc=y">The Light on the Hill</a><a href="http://books.google.com.au/books/about/The_light_on_the_hill.html?id=S6-jAAAACAAJ&amp;redir_esc=y">: the Australian Labor Party, 1891-1991</a>”, Ross McMullin – The authoritative history of the ALP commissioned for the Party’s 100<sup>th</sup> anniversary. A long, but rollicking account of the drama filled history of the Australian Labor Party. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li>“<a href="http://homepages.ihug.com.au/~senagal/goodbyejerusalem.htm">Goodbye Jerusalem: Night Thoughts of a Labor Outsider</a>”, Bob Ellis – Ellis recounts the lead up to the 1998 Federal Election and his surreal independent candidacy in Bronwyn Bishop’s electorate when she was spruiked as a future Liberal leader. Yes, I know he’s an arsehole with some really unpleasant views, but so was Hemmingway etc etc. Fact is, the guy can write and his melancholy but earnest tone is ideally suited to discussions of the Labor party. My copy is pre-defamation pulping J  <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li>“<a href="http://www.amazon.com/Goodbye-Babylon-Further-Journeys-Politics/dp/0670040827/ref=sr_1_fkmr0_1?s=books&amp;ie=UTF8&amp;qid=1321248740&amp;sr=1-1-fkmr0">Farewell Babylon: Further Journeys in Time and Politics</a>”, Bob Ellis – The same gimmick as Goodbye Jerusalem, but for the 2001 election campaign. Like most sequels, not quite as good despite arguably better material. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li> “<a href="http://www.amazon.com/Naked-Dead-50th-Anniversary/dp/0312265050/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321248769&amp;sr=1-1">The Naked and the Dead</a>”, Norman Mailer – A company of US soldiers is assigned to a mission on a Pacific Island in World War 2. Over long and overblown in parts, but somehow compelling despite it. I can see why it was a literary sensation when it was published. Holds up well today, 50 years after it was first published.  <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li>“<a href="http://www.amazon.com/Hunger-Games-Trilogy-Boxed-Set/dp/0545265355/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321248792&amp;sr=1-1">The Hunger Games Trilogy</a>”, Susanne Collins – Teen girl forced to fight for survival against other teens on a reality tv show in a fantasy dystopia. I can see why it’s become such a big seller. Entertaining, but ultimately insubstantial. A significant drop off in quality in the second and third books. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li>“<a href="http://www.amazon.com/Learning-Minister-Expectations-Practical-Realities/dp/0522857981/ref=sr_1_2?s=books&amp;ie=UTF8&amp;qid=1321248808&amp;sr=1-2">Learning to be a Minister: Heroic Expectations, Practical Realities</a>”, Anne Tiernan and Patrick Weller – An academic account of the experience of being a Minister in the incoming Rudd Government informed by anonymous interviews with ministers, staffers and public servants. I picked this up at the Parliament House book store on a business trip when I had run out of reading material. An interesting flashback to what it was like in the early months of the Rudd Government. Fun to play “Guess Who” with the blind quotes. Buy &#8211; Borrow &#8211; <strong>Toss</strong></li>
<li>“<a href="http://www.amazon.com/Barefoot-Gen-Vol-Cartoon-Hiroshima/dp/0867196025">Barefoot Gen (Barefoot Gen)</a>”, Nakazawa Keiji -  A manga cartoonist who was a ten year old boy in Hiroshima when the atomic bomb hit tells the story of the lead up to and the aftermath of the bombing. I found this book via a recommendation from Maus’ Art Spiegelman. It’s excellent, though not in Maus’ league. Barefoot Gen is more directly aimed at children and has a more explicit didactic purpose. Which means you get a lot of the more extreme manga conventions (over the top fights, children biting off people’s fingers etc) and expository detours explaining events (using Gen’s anti-war father and Kamikaze volunteer brother as foils). Which is fine and important, but just pitched at a different level to Maus. (Graphic Novel) <strong>Buy</strong> &#8211; Borrow – Toss</li>
<li>#<a href="http://www.amazon.co.uk/Trial-Henry-Kissinger-Christopher-Hitchens/dp/1859843980">“The Trial of Henry Kissinger”</a>, Christopher Hitchens – Hitchens reviews the evidence for the trial of Henry Kissinger for crimes against humanity in Vietnam, Cambodia, Laos, Bangladesh, Argentina etc, etc. This really is a shocking read. I’m not adverse to real politik in service of a greater cause, but Hitchens makes a pretty compelling case that Kissinger knowingly and repeatedly commissioned horrific crimes solely to advance his personal power within the US establishment. This was a quickie Hitchens’ read prompted by his sad early death. I read this book some time ago and remembered it as an archetype takedown. It held up on re-reading – authoritative, brutal and erudite. I’m really going to have to get around to reading Hitch 22 next year. Buy -<strong> Borrow</strong> – Toss</li>
</ol>
<p>A few reading goals for next year:</p>
<ul>
<li><em>Poetry –</em> I’ve never read poetry at length (other than Wilfred Owen and Siegfried Sassoon who I feel don’t really count for some reason). So next year I want to get through at least “Leaves of Grass”, some Frost and some Ruthven Todd. Is Philip Larkin any good? I’ve heard people I respect speak favourably about him. I really have no background in poetry so it’s tough to know where to start.</li>
<li><em>Getting back into Asian literature</em> – You wouldn’t know it from the list above, but I’ve probably read more Chinese and Japanese literary fiction than any other genre. They are distinct oeuvre’s to be clear, but they share an obtuseness and non-linearity that I really like. The core of the story is always submerged and you have to really work to get what’s really going on. I love it. Anyway, it’s tough to get most of what I like for the Kindle which has led me to deprioritise it. I do however I have a bit of a hard cover queue accumulating. I have the new Ha Jin and a few Ma Jian’s backed up in my reading queue. I also want to get around to finishing the <a href="http://en.wikipedia.org/wiki/The_Sea_of_Fertility">Sea of Fertility Tetraology</a>. I loved Spring Snow and Temple of the Golden Pavilion, but ran out of energy for the other two books.</li>
</ul>
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		<title>My Year in Reading 2011 &#8211; Part 1</title>
		<link>http://www.bloggingthebookshelf.com/2011/12/19/my-year-in-reading-2011/</link>
		<comments>http://www.bloggingthebookshelf.com/2011/12/19/my-year-in-reading-2011/#comments</comments>
		<pubDate>Sun, 18 Dec 2011 22:18:14 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
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		<guid isPermaLink="false">http://www.bloggingthebookshelf.com/?p=3464</guid>
		<description><![CDATA[About three years ago I resolved to make enough time in my life to read one book a week. I’ve always read quite a bit, but reading being a domestic activity, it had always been the subject of the vicissitudes of domestic life. Busy periods at work, social commitments or just lack of overall motivation [...]]]></description>
			<content:encoded><![CDATA[<p>About three years ago I resolved to make enough time in my life to read one book a week. I’ve always read quite a bit, but reading being a domestic activity, it had always been the subject of the vicissitudes of domestic life. Busy periods at work, social commitments or just lack of overall motivation meant that it was easy to come home after a long day and veg out on the couch. Reading requires just that little bit more effort and commitment than other readily available entertainment substitutes and suffers as a result. As <em>The Onion</em> rightly points out – <a href="http://www.theonion.com/articles/hey-man-i-totally-get-it-id-watch-a-2hour-biggest,19444/">it’s easier to watch a Two Hour Biggest Loser Special than read the collected short stories of Vladimir Nabokov </a> (metaphorically speaking).</p>
<p>Which meant that while reading was the cultural and intellectual activity that I found most rewarding, I didn’t do as much of it as I wanted. So I decided that I’d approach reading like you would an exercise regime; slogging through the periods of fatigue and lack of motivation with the aim of building enough momentum and a strong enough habit to keep me going in perpetuity. I wouldn’t sacrifice enjoyment or comprehension in the name of achieving this goal, but I’d prioritise my time throughout the week accordingly.</p>
<p>It’s not almost three years later and I’m still going strong. I’m a bit surprised I’ve lasted this long, but very pleased too. It feels great to get through a real volume of (non-work) reading – like getting mentally fit. I bet this is what Buddhists feel like J</p>
<p>Anyway, while I’ve blogged quick book reviews and extracts that I’ve liked for some time (at my tumblr <a href="http://bloggingthebookshelf.tumblr.com/">Blogging the Bookshelf</a>), I thought it might be fun to blog my impressions of my year in reading. So here’s part one of what I read this year in a broadly chronological order (my Kindle’s My Clippings file allows me to retrace most of my reading history, but with hard copy books the exact timing is uncertain).</p>
<ol>
<li><a href="http://www.amazon.com/Single-Man-Christopher-Isherwood/dp/0816638624">“A Single Man”</a>, Christopher Isherwood – A closeted gay man in 1950s America loses his partner in a car crash. Achingly sad and closely observed. Very effectively conveys the smothering nature of grief. I read it to be much more pessimistic than the recent movie adaptation, but a good friend with a better perspective on the issues came to the opposite conclusion so I may be wrong. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/Berlin-Stories-Christopher-Isherwood/dp/081121804X/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321247688&amp;sr=1-1">“The Berlin Stories”</a>, Christopher Isherwood – Writers, artist and bohemians in Weimar Berlin push the boundaries of social norms in the shadow of the rise of Nazism. Tells the story of a homosexual English writer in Berlin without ever conceding the existence of homosexuality. Layered with subtext and obtuseness, so exactly to my taste. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/Picture-Dorian-Dover-Thrift-Editions/dp/0486278077/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321328291&amp;sr=1-1">“The Picture of Dorian Gray”</a>, Oscar Wilde – English dandy and aristocrat enters into faustian bargain to preserve his youthful good looks. Reading Wilde is like running around a playground of the English language. Witticisms and homilies abound. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Tender-Night-F-Scott-Fitzgerald/dp/0684830507/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321328335&amp;sr=1-1">“Tender is the Night”</a>, F Scott Fitzgerald &#8211; A wealthy American couple deal with a wife’s mental illness and a husband’s insecurities while jet setting through 1930s Europe. Ah, Dick Diver &#8211; The most unfortunately named protagonist in literature. An interesting on though. The relationship between the two protagonists is beautifully and painfully realistic. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/Casino-Royale-James-Bond-Novels/dp/014200202X/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321331189&amp;sr=1-1">“Casino Royale”</a>, Ian Fleming. &#8211; You all know what it’s about &#8211; spies and poker or something.  Trash. Unreconstructed misogyny and homophobia. Not as mendacious as others in the James Bond series (eg Goldfinger), but still probably a net negative contribution to society. That aside, I still can’t help myself from reading them. A guilty pleasure I guess. The books are darker than the films. Buy &#8211; Borrow &#8211; <strong>Toss</strong></li>
<li><a href="http://www.amazon.com/Caution-Stories-Penguin-Modern-Classics/dp/0141034386/ref=sr_1_3?s=books&amp;ie=UTF8&amp;qid=1321331127&amp;sr=1-3">“The God Delusion”</a>, Richard Dawkins – God doesn’t exist and if you continue to believe otherwise in spite of overwhelming evidence to the contrary you are either stupid or mentally ill.  You can’t disagree with the logic or the verdict, but the way the case is put makes you wonder what is the point. It’s not the kind of book that’s going to persuade many with religious faith. Overall more irritating than enlightening. Buy &#8211; Borrow &#8211; <strong>Toss</strong></li>
<li><a href="http://www.amazon.com/Caution-Stories-Penguin-Modern-Classics/dp/0141034386/ref=sr_1_3?s=books&amp;ie=UTF8&amp;qid=1321331127&amp;sr=1-3">“Lust, Caution”</a>, Eileen Chang – A novella of short stories set in WW2 Shanghai. This book makes you feel like you’re listening to middle aged Chinese women gossiping to each other in a tea room. A gossipy and melodramatic feel, but well constructed and ultimately effective. The circumstances of Chang’s personal life adds a layer of intrigue to reading the title story. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Maltese-Falcon-Dashiell-Hammett/dp/0679722645/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321331107&amp;sr=1-1">“The Maltese Falcon”</a>, Dashiell Hammett – Hard bitten private eye juggles competing gangsters and a femme fatale in search of a fabulous antique. Not quite as good as The Thin Man, but still one of the best private eye mysteries. Sam Spade is one of the great characters of American literature. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Big-Sleep-Raymond-Chandler/dp/0394758285/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321331091&amp;sr=1-1">“The Big Sleep”</a>, Raymond Chandler – Private Eye gets caught up in the nefarious affairs of a wealthy patriarch and his amoral daughters. This book comes highly rated in the genre and was certainly enjoyable, but thinking back now, there’s very little of it that I can recall. There witty dialogue, I remember that much. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Same-Man-George-Orwell-Evelyn/dp/1400066344/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321331074&amp;sr=1-1">“The Same Man: George Orwell and Evelyn Waugh in Love and War”</a>, David Lebedoff –A dual biography of George Orwell and Evelyn Waugh, with the premise that these contemporaries lives shared more parallels than their very different personas would suggest. An enjoyable read, but ultimately the premise was stretched too far to be entirely satisfying. I found some of the themes enlightening (eg Orwell’s life as an Etonian trying to hide the fact and Waugh’s as a non-Etonian trying to pretend otherwise. Sadly, my strongest memory of this book was the factoid that Evelyn Waugh’s first wife was also named Evelyn! Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Why-Orwell-Matters-Christopher-Hitchens/dp/0465030505/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321331058&amp;sr=1-1">“Why Orwell Matters”</a>, Christopher Hitchens – One of the best essayists of our time riffs off the work of <em>the best</em> essayist of all time providing historical context and modern interpretation. A first class introduction to Orwell’s body of work and its significance for modern politics. All young progressives would do themselves a favour by picking up this book – it will take the blinkers off and dramatically accelerate the evolution of your political thinking. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/After-Quake-Stories-Haruki-Murakami/dp/0375713271/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321331042&amp;sr=1-1">“After the Quake: Stories”</a>, Haruki Murakami – A collection of surrealist short stories loosely linked by the Kobe earthquake. This is the collection with the story about the giant frog. I am a fan of Murakami’s oeuvre, but I find myself feeling a sense of dread every time I come across one of his increasingly lengthy stand alone novels. In my view, his short story collections are invariably much more enjoyable. You get the same feeling of whimsy and disorientation, but in short bursts that don’t feel like a slog into the unknown. This isn’t quite up there with <em>Blind Willow, Sleeping Woman</em> for my mind, but is excellent nonetheless. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Darkly-Dreaming-Dexter-Jeff-Lindsay/dp/0307277887/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321331025&amp;sr=1-1">“Darkly Dreaming Dexter”</a>, Jeff Lindsay – Origin story of serial killer who works as a police forensics analyst by day and kills serial killers by night. I hadn’t seen the Dexter TV series so I picked this up to see what it was all about. It’s trash, but harmlessly so. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Up-Air-Walter-Kirn/dp/0307476286/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321331007&amp;sr=1-1">“Up in the Air”</a>, Walter Kirn – Shallow road warrior businessmen who specialises in facilitating redundancies confronts the emptiness of his existence. Cleverly written, but pretty insubstantial and emotionally unfulfilling. I liked the movie (and George Clooney) better. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Education-Lynn-Barber/dp/1934633852/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321330988&amp;sr=1-1">“An Education”</a>, Lynn Barber – UK journalist recounts her free loving youth and career as a journalist. I’m a bit embarrassed that I read this book for some reason. It’s a bit of a chick’s book right? The opening chapters dealing with her high school romance were engaging, but I lost interest as the book progressed. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Right-Stuff-Tom-Wolfe/dp/0312427565/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321330968&amp;sr=1-1">“The Right Stuff”</a>, Tom Wolfe – A non-fiction account of the lives and culture of the military test pilots who comprised NASA’s first manned space program (the Mercury missions). A tad gung ho and rah rah, but justifiably so. A genuinely awe inspiring story of real life human courage and endeavour. Great fun too. The Chuck Yeager stories in particular are mind blowing. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/Battle-Hymn-Tiger-Mother-Chua/dp/1594202842/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321330252&amp;sr=1-1">“Battle Hymn of the Tiger Mother”</a>, Amy Chua – Intense first generation immigrant mother outlines her parenting philosophy in the form of a memoir of her experiences raising two over-achieving daughters. Far and away the funniest book I read all year. Chua’s complete lack of perspective or self-awareness produces a series of laugh out loud statements of parenting myopia. It’s amazing to think that just a year after this book was released, the phrase ‘Tiger Mother’ now requires no explanation. A phenomenon. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Parentonomics-Economist-Dad-Looks-Parenting/dp/0262514974/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321330237&amp;sr=1-1">“Parentonomics: An Economist Dad Looks at Parenting”</a>, Joshua Gans – An economics professor tries to apply economic principles to the task of parenting with his own children as guinea pigs. Sadly for Josh, this book didn’t take off in quite the same way as <em>Tiger Mother</em>! But as a new dad with an economics background, I enjoyed it and picked up a few useful tips (Make sure your baby sleeps as far away from mum and dad as possible!). Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li>#<a href="http://www.amazon.com/Primary-Colors-Novel-Politics/dp/0812976479/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321330222&amp;sr=1-1">“Primary Colors: A Novel of Politics”</a>, Joe Klein – Charismatic Southern Governor seeks the Democratic Presidential nomination in the face of scandal and ethical quandaries. Originally published anonymously and hewing very closely to the real life circumstances of Bill Clinton’s 1992 Presidential campaign, this is probably the second best fictional account of US politics (It will take a lot to knock off Robert Penn Warren’s “All the King’s Men” from the number one spot in this regard). Gets at the core of why people become involved in politics and the trade offs they face once they are players. It’s telling that Joe Klein came to sympathise more with politicians than journalists after his experience with the media after he was outed as the book’s author. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/Consider-Lobster-Essays-Foster-Wallace/dp/0316013323/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321330208&amp;sr=1-1">“Consider the Lobster: And Other Essays”</a>, David Foster Wallace – DFW in his purest form; high quality, high brow, humanist essay writing. If you find him insufferably affected &#8211; you&#8217;ll hate it. Includes the majority of his most iconic essays eg The Las Vegas Porn Convention, The Maine Lobster Festival and Peta, Robert Federer and Authority and American Usage (AKA his grammar pedantry spray. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/Big-Short-Inside-Doomsday-Machine/dp/0393338827/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321330188&amp;sr=1-1">“The Big Short: Inside the Doomsday Machine”</a>, Michael Lewis – An account of the causes of the 2008 global financial crisis told through the stories of the investors who saw it coming, and bet against the world financial system. Lewis is a seriously talented communicator and story teller. A cogent and comprehensible explanation of the causes of the GFC with real narrative structure. Really quite impressive when you think about it.   Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Democracy-American-novel-Henry-Adams/dp/1406954039/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321330170&amp;sr=1-1">“Democracy, an American novel”</a>, Henry Adams – An 1870s New York society woman moves to Washington in search of a political education.  The dialogue was amusing at times and some of the political philosophy was interesting and insightful but I found this book to be a bit of a drag to get through. The novelistic form has evolved for the better since this book was first published in 1880. Buy &#8211; Borrow &#8211; <strong>Toss</strong></li>
<li><a href="http://www.amazon.com/Cold-Blood-Truman-Capote/dp/0375507906/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321330153&amp;sr=1-1">“In Cold Blood”</a>, Truman Capote – Two drifters murder an upstanding rural American family. The birth of the ‘true crime’ genre. I know the reputation of this book and I don’t necessarily disagree with it, but I wasn’t personally taken by this book. Can’t put my finger on exactly why. Maybe I was just in a funk myself at the time. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Cultural-Amnesia-Necessary-Memories-History/dp/B00509CSJM/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321330116&amp;sr=1-1">“Cultural Amnesia: Necessary Memories from History and the Arts”</a>, Clive James – An extraordinarily wide ranging collection of essays about the figures James considers to be most important to the cultural life of the 20<sup>th</sup> century. Brilliant, brilliant, brilliant writing. Fascinating, meaty subject matter engaged by a luminescent intellect. At times, reading this felt overpoweringly rich; like eating pigs trotters stuffed with sweetbreads and truffles. I had to give my mind breaks from this book with less enriching fare in order to get through it all. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/Maus-Survivors-Father-History-Troubles/dp/0679748407/ref=sr_1_2?s=books&amp;ie=UTF8&amp;qid=1321247993&amp;sr=1-2">“Maus: A Survivor&#8217;s Tale. I. My Father Bleeds History. &amp; II. And Here My Troubles Began”</a>, Art Spiegelman &#8211; A cartoonist tells the story of his parent’s experiences in the holocaust and his own experiences in drawing out the tale. You probably know this book’s shtick: the Nazis are drawn as cats, the Jews as mice and a complex and intense multi-generational family story is told in a way that is accessible to all readers. This book isn’t just excellent in it’s genre, it’s excellent for any genre. It deserves to be more widely read. There are a number of books that I’ve bought with the conscious intention of having them sitting invitingly on bookshelves for my children to sneak away to read for themselves. I really hope they grab Maus one day. <strong>Buy</strong> &#8211; Borrow &#8211; Toss</li>
<li><a href="http://www.amazon.com/Complete-Persepolis-Marjane-Satrapi/dp/0375714839/ref=sr_1_2?s=books&amp;ie=UTF8&amp;qid=1321248062&amp;sr=1-2">“Persepolis”</a>, Marjane Satrapi &#8211; An Iranian woman tells the story of her childhood in revolutionary Iran and her return to the country as a young woman. Maus put me onto a bit of a graphic novel bender. I was excited to explore a new genre that I’d barely touched before. Persepolis was a bit of a let-down in this context. It’s not bad, but Maus meant my expectations were set too high for me to really love this book.  Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li><a href="http://www.amazon.com/Logicomix-Search-Truth-Apostolos-Doxiadis/dp/1596914521/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321248168&amp;sr=1-1">“Logicomix: An Epic Search for Truth”</a>, Apostolos Doxiadis, Christos H. Papadimitriou, Alecos Papadatos and Annie Di Donna – A graphic novel about Bertrand Russell’s ambition to ‘prove’ the logical foundations of mathematics. I’ve long loved Bertrand Russell’s pop-philosophy and essays, but I’ve never found a way into his own philosophy. It’s really mind bending stuff. How can you ‘prove’ that 1 +1 = 2 from first principles? Russell never worked it out, but this cartoon makes it reasonably straightforward to understand the questions he was posing.  Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li>“<a href="http://www.amazon.com/Walking-Dead-Compendium-One/dp/1607060760/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321248277&amp;sr=1-1">The Walking Dead</a>: 1 – 85”, Robert Kirkman, Charlie Adlard, Cliff Rathburn and Tony Moore &#8211;  (Graphic Novel), The Zombie apocalypse in cartoon form. Harmless fun if you like that sort of thing. Buy &#8211; <strong>Borrow</strong> &#8211; Toss</li>
<li>#<a href="http://www.amazon.com/Anthills-Savannah-Chinua-Achebe/dp/0385260458/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321330097&amp;sr=1-1">“Anthills of the Savannah”</a>, Chinua Achebe – An allegory of post-colonial politics in a fictional African nation told through the relationship between three childhood friends, a soldier, a journalist and a public servant. One of Achebe’s more underrated books. Lyrically written and very insightful on the nature of power, jealousy, hatred and repression. <strong>Buy</strong> &#8211; Borrow – Toss</li>
</ol>
<p># Re-reads.</p>
<p>Part 2 tomorrow (or whenever I get around to it).</p>
<p>A few observations on general patterns looking back on this list:</p>
<ul>
<li>28 Fiction v 30 Non-Fiction books. A pretty good balance. I found myself wanting to read more fiction through the year than I did, but I kept getting way laid by high quality non-fiction. I blame Tyler Cowen.</li>
<li>When you’re ripping through a book a week, the really big tomes (eg The Naked and The Dead, Cultural Amnesia), feel even longer than they are. I’ve also found myself deferring some very long books I’ve wanted to read because of this feeling (IQ84 &amp; Freedom). I might have to be more disciplined about this. Maybe require one 1000+ pager every six months?</li>
<li>I finished three essay collections this year (Orwell, Clive James and David Foster Wallace). This isn’t a genre I’d spent much time with before, but I very much enjoyed it.</li>
<li>A weirdly morbid year in non-fiction; the Holocaust, Hiroshima times two, African Wars, North Korea, AIDS, the Columbine shooting. Very dark and not consciously selected. I may have to contemplate the significance of that.</li>
</ul>
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		<title>Writing and Memory &#8211; “Cultural Amnesia” &#8211; Clive James</title>
		<link>http://www.bloggingthebookshelf.com/2011/09/28/i-would-never-have-taken-a-note-in-the-first-place/</link>
		<comments>http://www.bloggingthebookshelf.com/2011/09/28/i-would-never-have-taken-a-note-in-the-first-place/#comments</comments>
		<pubDate>Wed, 28 Sep 2011 00:51:05 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
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		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Reading Related]]></category>
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		<description><![CDATA[I would never have taken a note in the first place except out of the fear that what I was reading would soon slip away: a fear all too well founded. The Russian symbolist writer Andrei Bely once said that what we keep in our heads is the sum of a writer: a “composite quotation.” [...]]]></description>
			<content:encoded><![CDATA[<p>I would never have taken a note in the first place except out of the fear that what I was reading would soon slip away: a fear all too well founded. The Russian symbolist writer Andrei Bely once said that what we keep in our heads is the sum of a writer: a “composite quotation.” But the only reason I still know that Bely once said that is that I wrote it down.</p>
<blockquote><p>This just about sums up the point of this blog!</p></blockquote>
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		<title>Not Enough Time? The Answer Must Be More Social Media</title>
		<link>http://www.bloggingthebookshelf.com/2010/10/22/not-enough-time-the-answer-must-be-more-social-media/</link>
		<comments>http://www.bloggingthebookshelf.com/2010/10/22/not-enough-time-the-answer-must-be-more-social-media/#comments</comments>
		<pubDate>Fri, 22 Oct 2010 03:00:58 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Admin]]></category>

		<guid isPermaLink="false">http://www.bloggingthebookshelf.com/?p=1661</guid>
		<description><![CDATA[So, about a year ago I decided that I wanted to blog my way through my bookshelf at my prosaicly title wordpress blog, Blogging the Bookshelf. But recently I&#8217;m finding that I really don&#8217;t have time to do a proper post on each of the books I&#8217;m reading as I finish them &#8211; let alone the [...]]]></description>
			<content:encoded><![CDATA[<p>So, about a year ago I decided that I wanted to blog my way through my bookshelf at my prosaicly title wordpress blog, <a style="color: #007bff;" href="http://www.bloggingthebookshelf.com/">Blogging the Bookshelf</a>.</p>
<p>But recently I&#8217;m finding that I really don&#8217;t have time to do a proper post on each of the books I&#8217;m reading as I finish them &#8211; let alone the backlog of worthwhile books sitting on my bookshelf from pre-blogging days.</p>
<p>That being said, I don&#8217;t want to pack it in altogether. I like the idea of having an online reading diary and a place to hoard all the little factoids and interesting prose I come across in the books I read.</p>
<p>So I&#8217;m thinking that an unstructured tumbler for excerpts, musings, reflections and anything else reading related might be more like the level of commitment I&#8217;m willing to devote to this.</p>
<p>Some may say that more social media is no kind of answer to a lack of time, but I have faith&#8230;.</p>
<p>Anyway, I&#8217;ll still probably post longer form content here, but for lighter, more idiosyncratic fare, please visit at:</p>
<p><a href="http://bloggingthebookshelf.tumblr.com/">http://bloggingthebookshelf.tumblr.com/</a></p>
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		<title>New Arrival on the Bookshelf: Amazon Kindle</title>
		<link>http://www.bloggingthebookshelf.com/2009/10/30/new-arrival-on-the-bookshelf-amazon-kindle/</link>
		<comments>http://www.bloggingthebookshelf.com/2009/10/30/new-arrival-on-the-bookshelf-amazon-kindle/#comments</comments>
		<pubDate>Fri, 30 Oct 2009 01:34:58 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
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		<guid isPermaLink="false">http://www.bloggingthebookshelf.com/?p=1551</guid>
		<description><![CDATA[Another post, another excuse for sparsity of posting. Life remains professionally intense (though interesting) and Blogging the Bookshelf has had to take a backseat this month while I&#8217;ve focused on the day job. Thankfully while my blogging has suffered, my reading time has held up well (the one saving grace of interstate commuting) and I&#8217;ve [...]]]></description>
			<content:encoded><![CDATA[<p>Another post, another excuse for sparsity of posting. Life remains professionally intense (though interesting) and Blogging the Bookshelf has had to take a backseat this month while I&#8217;ve focused on the day job.</p>
<p>Thankfully while my blogging has suffered, my reading time has held up well (the one saving grace of interstate commuting) and I&#8217;ve had a good run of very enjoyable books in recent weeks including &#8220;<a href="http://www.amazon.co.uk/Brief-Wondrous-Life-Oscar-Wao/dp/0571239730/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1256863594&amp;sr=1-1">The Brief and Wondrous Life of Oscar Wao</a>&#8221; by Junot Diaz, &#8220;<a href="http://www.amazon.co.uk/Stalingrad-Antony-Beevor/dp/0141032405/ref=sr_1_4?ie=UTF8&amp;s=books&amp;qid=1256863621&amp;sr=1-4">Stalingrad</a>&#8221; and &#8220;<a href="http://www.amazon.co.uk/Berlin-Downfall-1945-Antony-Beevor/dp/0141032391/ref=sr_1_2?ie=UTF8&amp;s=books&amp;qid=1256863621&amp;sr=1-2">Berlin</a>&#8221; by Antony Beevor and <a href="http://www.amazon.co.uk/Uninvited-Geling-Yan/dp/0571220525">&#8220;The Uninvited&#8221;</a> by Geling Yan. So I&#8217;ve got a long backlog of freshly read books ready for blogging once I get some more free time.</p>
<p>The most exciting and blog-worthy arrival on my bookshelf in recent times however is my brand new shiny <a href="http://www.amazon.com/gp/product/B0015T963C?amp%3Brw_absolute=y">Amazon Kindle</a>. I am a long time &#8216;early adopter&#8217; of gadgetry, or as some have less charitably characterised it, a &#8216;prolific buyer of toys that I don&#8217;t need&#8217;. However, I have to say that so far I am especially pleased with my kindle purchase.</p>
<p><img class="aligncenter size-medium wp-image-1552" title="IMG00031-20091026-1450" src="http://www.bloggingthebookshelf.com/wp-content/uploads/IMG00031-20091026-1450-300x225.jpg" alt="IMG00031-20091026-1450" width="300" height="225" /></p>
<p>As a biliophile with hundreds of hard copy books on their bookshelf and a passion for stalking second hand book stores at every opportunity, I didn&#8217;t make the jump to e-books lightly. Given the (significant) upfront cost of a Kindle, you pretty well have to swear off buying hard copy books for quite a while to justify the purchase &#8211; a difficult sacrafice for someone with my proclivities.</p>
<p><img class="aligncenter size-medium wp-image-1556" title="IMG00033-20091026-1452_1" src="http://www.bloggingthebookshelf.com/wp-content/uploads/IMG00033-20091026-1452_1-300x225.jpg" alt="IMG00033-20091026-1452_1" width="300" height="225" /></p>
<p>However, after a lot of reflection during the extended period between the announcment of the international version of the Kindle and it&#8217;s availability for purchase, there were a few factors that ultimately tipped the balance in favour of taking the plunge:<em> </em></p>
<h4 style="padding-left: 30px;">Never having to pay for literary classics again</h4>
<p style="padding-left: 30px;">As an earnest young reader with pretentions of literary seriousness I&#8217;ve been slowly but steadily trying to work my way through the cannon of literary classics. As I&#8217;ve mentioned before, I&#8217;m really not a library person &#8211; it feels like a fascist imposition to me to have someone tell me when I need to read a book &#8211; so every classic means another purchase. Even at second hand prices this adds up.</p>
<p style="padding-left: 30px;">However, thanks to the joy of copyright expiration and the non-existent distribution costs of electronic books, there is a mindblowing number of literary classics available for free download from sites like <a href="http://manybooks.net/">Many Books</a> and <a href="http://www.gutenberg.org">Project Gutenberg</a>. Kafka, Camus, Dickens, Twain, Joyce, Austen, Bronte, Carroll, Tolstoy, Dostoyevsky, Chekov etc etc. There&#8217;s more than enough free content out their for the Kindle to keep you occupied for a very long time.</p>
<h4 style="padding-left: 30px;">Savings on Amazon Shipping Costs</h4>
<p style="padding-left: 30px;">Yes, Kindle books retail on Amazon for around half their hard copy list prices (plus a 15% increase for Australian readers), but to my mind, the real savings a realised through not having to pay the exorbitant costs of having books shipped half way around the world to be delivered to Australia (not to mention the agonising wait!). There&#8217;s real potential for savings here.</p>
<h4 style="padding-left: 30px;">Kindle&#8217;s Versatility</h4>
<p style="padding-left: 30px;">The final tipping point for my purchase was the fact that Kindle provides each user with an email account to which they can send documents for uploading onto their device. The benefit of this? Anyone (like me) who has a job that involves voluminous amounts of reading can easily email whatever documents they are working their way through to their Kindle for a portable, and more pleasurable reading experience. Instead of staring at an electronically lit rectangle for hours, or lugging around a bulldog clipped print out of the report de jour, I now transfer these documents onto my Kindle for my civilised consumption. I had heard a number of people in the US blogosphere spruiking this function for sometime before the Kindle&#8217;s release in Australia and was keen to take advantage.</p>
<p><img class="aligncenter size-medium wp-image-1554" title="IMG00036-20091026-1524" src="http://www.bloggingthebookshelf.com/wp-content/uploads/IMG00036-20091026-1524-225x300.jpg" alt="IMG00036-20091026-1524" width="225" height="300" /></p>
<h4>The Reading Experience</h4>
<p>What I couldn&#8217;t be sure of until I got my hands on one in real life was what the reading experience would be like. After a week&#8217;s reading I am happy to say that it is fantastic. The Kindle is light enough to be more comfortable in the hand than a paperback, but solid enough that you don&#8217;t feel like you&#8217;ll fumble it. I&#8217;ve already found myself strongly prefering it for reading in bed or on the couch where previously I needed to prop up books somewhere. The screen is very easy on the eye and if anything is a better experience than reading print on paper.</p>
<p>However, the most satisfying aspect of the Kindle reading experience was completely unexpected. Because the Kindle screen fits slightly less text than a paperback page, the more frequent &#8216;page turning&#8217; gives you a satisfying feeling of momentum whilst reading. The progress bar at the bottom of the screen reinforces this effect and gives you a graphic appreciation for how much you&#8217;ve read in a sitting.</p>
<h4>Gripes</h4>
<p>As you can see, on the whole I love my Kindle. I do however have a few gripes &#8211; and they are pretty well all functions of being an international Kindle user. You really are a second class citizen as an international user of Kindle. No access to content that is widely used in the US: no blog content, a very limited library of magazine content (no Economist, no New Yorker, none of the literary reviews) and a sadly limited library of books for purchase. It&#8217;s not just Australian specific authors who aren&#8217;t available to Australian Kindle readers &#8211; but many major new release books. Hopefully this will improve with time as Amazon reaches agreements with Australian rights holders, but it&#8217;s far from ideal at present.</p>
<p><img class="aligncenter size-medium wp-image-1559" title="IMG00037-20091026-1524" src="http://www.bloggingthebookshelf.com/wp-content/uploads/IMG00037-20091026-1524-225x300.jpg" alt="IMG00037-20091026-1524" width="225" height="300" /></p>
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		<title>50 Down&#8230;</title>
		<link>http://www.bloggingthebookshelf.com/2009/07/07/50-down/</link>
		<comments>http://www.bloggingthebookshelf.com/2009/07/07/50-down/#comments</comments>
		<pubDate>Tue, 07 Jul 2009 08:00:06 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
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		<description><![CDATA[Well today marks Blogging The Bookshelf’s 50th post – I’m about 10% through and thoroughly enjoying it. While I’m still getting a disproportionate amount of traffic to my post on Confessions of a Mask (thanks to the unintended consequences of including the words ‘Gay’ ‘Japanese’ and ‘boy’ in the post), Blogging the Bookshelf is now [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.woohome.com/furniture/speech-bubble-bookshelf"><img class="alignright size-full wp-image-1317" title="speech-bubble-bookshelf" src="http://bloggingthebookshelf.files.wordpress.com/2009/07/speech-bubble-bookshelf.jpg" alt="speech-bubble-bookshelf" width="236" height="185" /></a>Well today marks <em>Blogging The Bookshelf’s</em> 50<sup>th</sup> post – I’m about 10% through and thoroughly enjoying it. While I’m still getting a disproportionate amount of traffic to my post on <em><a href="../2009/05/26/confessions-of-a-mask-yukio-mishima/">Confessions of a Mask</a></em> (thanks to the unintended consequences of including the words ‘Gay’ ‘Japanese’ and ‘boy’ in the post), Blogging the Bookshelf is now attracting a steady and slowly growing daily audience.</p>
<p>Being something of a milestone day, I thought I’d use today to provide a bit of a signpost of what is to come on this site. Using one of the best content crutches for bloggers around the world, I thought I’d do this in the format of a list – and someone else’s list at that.</p>
<p>Below the fold I’ve included The Guardian’s list of <em><a href="http://www.guardian.co.uk/books/series/1000novels">1000 Novels Everyone Must Read</a></em> and noted those that you can expect to see a post on here sometime in the coming months. I’ve selected The Guardian’s list for this purpose because it broadly reflects my own approach to reading. As the introduction to the list <a href="http://www.guardian.co.uk/books/booksblog/2009/jan/23/best-list-novels-1000-explained">notes</a>:</p>
<blockquote><p>A thousand novels might sound like an awful lot of pages and a dizzying number of words, but the idea behind this series was always to come up with <a href="http://www.guardian.co.uk/books/2009/jan/23/bestbooks-fiction">a list</a> that was, in its own way, realistic. Not necessarily in the sense that you might be able to work your way through all of our picks in a month, but in the sense that it can inspire and guide book-lovers of all tastes and ages. The temptation, when coming up with projects such as these, is to plump with much bravado for either an elitist or a populist approach. We could have listed the worthy but dull &#8220;1000 greatest novels of all time&#8221;, including a few more recherché Victorian epics and forgotten gems of late Mexican vanguardist modernism. Or we could have come up with a fun but shallow list of &#8220;1000 most popular novels of all time&#8221;, inevitably adding Paolo Coelho&#8217;s The Alchemist and Dan Brown&#8217;s Da Vinci Code. Neither of these approaches felt quite right. It would have meant either excluding those novels we had read but felt we shouldn&#8217;t, or those we felt we should read but hadn&#8217;t.</p></blockquote>
<p>I definitely know that feeling of ‘books I have read but felt I shouldn’t and books I haven’t read but felt I should have.’</p>
<p>Anyway, given that I’ve only got maybe 500 books at present and a good 50% of them are non-fiction, annotating a list like this is going to be a good way to feel inadequate – but might provide something of a taste of what is to come here from a fiction perspective.</p>
<p><span id="more-1313"></span></p>
<blockquote><p><strong><a href="http://www.guardian.co.uk/books/2009/jan/19/1000-novels-comedy-introduction">Comedy</a></strong></p>
<p>Lucky Jim by Kingsley Amis<br />
<strong>Money by Martin Amis</strong><br />
The Information by Martin Amis<br />
The Bottle Factory Outing by Beryl Bainbridge<br />
According to Queeney by Beryl Bainbridge<br />
Flaubert&#8217;s Parrot by Julian Barnes<br />
A History of the World in 10 1/2 Chapters by Julian Barnes<br />
Augustus Carp, Esq. by Himself: Being the Autobiography of a Really Good Man by Henry Howarth Bashford<br />
Molloy by Samuel Beckett<br />
Zuleika Dobson by Max Beerbohm<br />
The Adventures of Augie March by Saul Bellow<br />
The Uncommon Reader by Alan Bennett<br />
Queen Lucia by EF Benson<br />
The Ascent of Rum Doodle by WE Bowman<br />
A Good Man in Africa by William Boyd<br />
The History Man by Malcolm Bradbury<br />
No Bed for Bacon by Caryl Brahms and SJ Simon<br />
<strong>Illywhacker by Peter Carey</strong><br />
A Season in Sinji by JL Carr<br />
The Harpole Report by JL Carr<br />
The Hearing Trumpet by Leonora Carrington<br />
Mister Johnson by Joyce Cary<br />
The Horse&#8217;s Mouth by Joyce Cary<br />
<strong>Don Quixote by Miguel de Cervantes</strong><br />
The Case of the Gilded Fly by Edmund Crispin<br />
Just William by Richmal Crompton<br />
The Provincial Lady by EM Delafield<br />
Slouching Towards Kalamazoo by Peter De Vries<br />
The Pickwick Papers by Charles Dickens<br />
Martin Chuzzlewit by Charles Dickens<br />
Jacques the Fatalist and his Master by Denis Diderot<br />
A Fairy Tale of New York by JP Donleavy<br />
The Commitments by Roddy Doyle<br />
Ennui by Maria Edgeworth<br />
Cheese by Willem Elsschot<br />
Bridget Jones&#8217;s Diary by Helen Fielding<br />
Joseph Andrews by Henry Fielding<br />
Tom Jones by Henry Fielding<br />
Caprice by Ronald Firbank<br />
Bouvard et Pécuchet by Gustave Flaubert<br />
Towards the End of the Morning by Michael Frayn<br />
The Polygots by William Gerhardie<br />
Cold Comfort Farm by Stella Gibbons<br />
Dead Souls by Nikolai Gogol<br />
Oblomov by Ivan Goncharov<br />
<strong>The Wind in the Willows by Kenneth Grahame</strong><br />
Brewster&#8217;s Millions by Richard Greaves (George Barr McCutcheon)<br />
Squire Haggard&#8217;s Journal by Michael Green<br />
<strong>Our Man in Havana by Graham Greene</strong><br />
Travels with My Aunt by Graham Greene<br />
Diary of a Nobody by George Grossmith<br />
The Little World of Don Camillo by Giovanni Guareschi<br />
<strong>The Curious Incident of the Dog in the Night-time by Mark Haddon</strong><br />
<strong>Catch-22 by Joseph Heller</strong><br />
Mr Blandings Builds His Dream House by Eric Hodgkins<br />
<strong>High Fidelity by Nick Hornby</strong><br />
I Served the King of England by Bohumil Hrabal<br />
The Lecturer&#8217;s Tale by James Hynes<br />
Mr Norris Changes Trains by Christopher Isherwood<br />
The Mighty Walzer Howard by Jacobson<br />
Pictures from an Institution by Randall Jarrell<br />
Three Men in a Boat by Jerome K Jerome<br />
Finnegans Wake by James Joyce<br />
The Castle by Franz Kafka<br />
Lake Wobegon Days by Garrison Keillor<br />
Death and the Penguin by Andrey Kurkov<br />
The Debt to Pleasure by John Lanchester<br />
L&#8217;Histoire de Gil Blas de Santillane (Gil Blas) Alain-René Lesage<br />
Changing Places by David Lodge<br />
Nice Work by David Lodge<br />
The Towers of Trebizond by Rose Macaulay<br />
England, Their England by AG Macdonell<br />
Whisky Galore by Compton Mackenzie<br />
Memoirs of a Gnostic Dwarf by David Madsen<br />
Cakes and Ale &#8211; Or, the Skeleton in the Cupboard by W Somerset Maugham<br />
Tales of the City by Armistead Maupin<br />
Bright Lights, Big City by Jay McInerney<br />
Puckoon by Spike Milligan<br />
The Restraint of Beasts by Magnus Mills<br />
Charade by John Mortimer<br />
Titmuss Regained by John Mortimer<br />
Under the Net by Iris Murdoch<br />
Pnin by Vladimir Nabokov<br />
Pale Fire by Vladimir Nabokov<br />
Fireflies by Shiva Naipaul<br />
The Sacred Book of the Werewolf by Victor Pelevin<br />
La Disparition by Georges Perec<br />
Les Revenentes by Georges Perec<br />
La Vie Mode d&#8217;Emploi by Georges Perec<br />
My Search for Warren Harding by Robert Plunkett<br />
A Dance to the Music of Time by Anthony Powell<br />
A Time to be Born by Dawn Powell<br />
Excellent Women by Barbara Pym<br />
Less Than Angels by Barbara Pym<br />
Zazie in the Metro by Raymond Queneau<br />
Solomon Gursky Was Here by Mordecai Richler<br />
Alms for Oblivion by Simon Raven<br />
<strong>Portnoy&#8217;s Complaint by Philip Roth</strong><br />
The Westminster Alice by Saki<br />
The Unbearable Bassington by Saki<br />
Hurrah for St Trinian&#8217;s by Ronald Searle<br />
Great Apes by Will Self<br />
Porterhouse Blue by Tom Sharpe<br />
Blott on the Landscape by Tom Sharpe<br />
Office Politics by Wilfrid Sheed<br />
Belles Lettres Papers: A Novel by Charles Simmons<br />
Moo by Jane Smiley<br />
Topper Takes a Trip by Thorne Smith<br />
The Adventures of Ferdinand Count Fathom by Tobias Smollett<br />
The Adventures of Roderick Random by Tobias Smollett<br />
The Adventures of Peregrine Pickle by Tobias Smollett<br />
The Expedition of Humphry Clinker by Tobias Smollett<br />
The Prime of Miss Jean Brodie by Muriel Spark<br />
The Girls of Slender Means by Muriel Spark<br />
The Driver&#8217;s Seat by Muriel Spark<br />
Loitering with Intent by Muriel Spark<br />
A Far Cry from Kensington by Muriel Spark<br />
The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne<br />
White Man Falling by Mike Stocks<br />
Handley Cross by RS Surtees<br />
A Tale of a Tub by Jonathan Swift<br />
Penrod by Booth Tarkington<br />
The Luck of Barry Lyndon by William Makepeace Thackeray<br />
Before Lunch by Angela Thirkell<br />
Tropic of Ruislip by Leslie Thomas<br />
A Confederacy of Dunces by John Kennedy Toole<br />
Barchester Towers by Anthony Trollope<br />
Venus on the Half-Shell by Kilgore Trout<br />
The Mysterious Stranger by Mark Twain<br />
The Witches of Eastwick by John Updike<br />
Breakfast of Champions by Kurt Vonnegut<br />
Infinite Jest by David Foster Wallace<br />
Decline and Fall by Evelyn Waugh<br />
<strong>Vile Bodies by Evelyn Waugh<br />
</strong>Black Mischief by Evelyn Waugh<br />
<a href="http://bloggingthebookshelf.wordpress.com/2009/07/14/scoop-evelyn-waugh/"><strong>Scoop by Evelyn Waugh</strong></a><br />
The Loved One by Evelyn Waugh<br />
A Handful of Dust by Evelyn Waugh<br />
The Life and Loves of a She-Devil by Fay Weldon<br />
Tono Bungay by HG Wells<br />
Molesworth by Geoffrey Willans and Ronald Searle<br />
The Wimbledon Poisoner by Nigel Williams<br />
Anglo-Saxon Attitudes by Angus Wilson<br />
Something Fresh by PG Wodehouse<br />
Piccadilly Jim by PG Wodehouse<br />
Thank You Jeeves by PG Wodehouse<br />
Heavy Weather by PG Wodehouse<br />
The Code of the Woosters by PG Wodehouse<br />
Joy in the Morning by PG Wodehouse</p>
<p><strong><a href="http://www.guardian.co.uk/books/2009/jan/18/1000-novels-crime-mystery-past-investigation">Crime</a></strong></p>
<p>The Man with the Golden Arm by Nelson Algren<br />
Fantomas by Marcel Allain and Pierre Souvestre<br />
The Mask of Dimitrios by Eric Ambler<br />
Epitaph for a Spy by Eric Ambler<br />
Journey into Fear by Eric Ambler<br />
The New York Trilogy by Paul Auster<br />
Trent&#8217;s Last Case by EC Bentley<br />
The Poisoned Chocolates Case by Anthony Berkeley<br />
The Beast Must Die by Nicholas Blake<br />
Lady Audley&#8217;s Secret by Mary E Braddon<br />
The Neon Rain by James Lee Burke<br />
The Tin Roof Blowdown by James Lee Burke<br />
The Thirty-Nine Steps by John Buchan<br />
Greenmantle by John Buchan<br />
The Asphalt Jungle by WR Burnett<br />
The Postman Always Rings Twice by James M Cain<br />
Double Indemnity by James M Cain<br />
<strong>True History of the Ned Kelly Gang by Peter Carey</strong><br />
The Hollow Man by John Dickson Carr<br />
The Big Sleep by Raymond Chandler<br />
The Long Goodbye by Raymond Chandler<br />
No Orchids for Miss Blandish by James Hadley Chase<br />
The Riddle of the Sands by Erskine Childers<br />
And Then There Were None by Agatha Christie<br />
The Mysterious Affair at Styles by Agatha Christie<br />
The Murder of Roger Ackroyd by Agatha Christie<br />
The Murder at the Vicarage by Agatha Christie<br />
The Secret Adversary by Agatha Christie<br />
The Woman in White by Wilkie Collins<br />
The Moonstone by Wilkie Collins<br />
<strong>A Study in Scarlet by Arthur Conan Doyle<br />
The Hound of the Baskervilles by Arthur Conan Doyle</strong><br />
<strong>The Sign of Four by Arthur Conan Doyle</strong><br />
The Manchurian Candidate by Richard Condon<br />
The Secret Agent by Joseph Conrad<br />
Under Western Eyes by Joseph Conrad<br />
Postmortem by Patricia Cornwell<br />
The Andromeda Strain by Michael Crichton<br />
Jurassic Park by Michael Crichton<br />
Poetic Justice by Amanda Cross<br />
The Ipcress File by Len Deighton<br />
Last Seen Wearing by Colin Dexter<br />
The Remorseful Day by Colin Dexter<br />
Ratking by Michael Dibdin<br />
Dead Lagoon by Michael Dibdin<br />
Dirty Tricks by Michael Dibdin<br />
A Rich Full Death by Michael Dibdin<br />
Vendetta by Michael Dibdin<br />
<strong>Crime and Punishment by Fyodor Dostoevsky<br />
</strong>An American Tragedy by Theodore Dreiser<br />
My Cousin Rachel by Daphne du Maurier<br />
The Count of Monte Cristo by Alexandre Dumas<br />
The Pledge by Friedrich Durrenmatt<br />
The Crime of Father Amado by José Maria de Eça de Queiroz<br />
The Name of the Rose by Umberto Eco<br />
<strong>American Psycho by Bret Easton Ellis</strong><br />
LA Confidential by James Ellroy<br />
The Big Nowhere by James Ellroy<br />
A Quiet Belief in Angels by RJ Ellory<br />
Sanctuary by William Faulkner<br />
Casino Royale by Ian Fleming<br />
Goldfinger by Ian Fleming<br />
You Only Live Twice by Ian Fleming<br />
The Day of the Jackal by Frederick Forsyth<br />
Brighton Rock by Graham Greene<br />
A Gun for Sale by Graham Greene<br />
The Ministry of Fear by Graham Greene<br />
The Third Man by Graham Greene<br />
<strong>A Time to Kill by John Grisham</strong><br />
The King of Torts by John Grisham<br />
Hangover Square by Patrick Hamilton<br />
The Glass Key by Dashiell Hammett<br />
The Maltese Falcon by Dashiell Hammett<br />
Red Harvest by Dashiell Hammett<br />
The Thin Man by Dashiell Hammett<br />
<strong>Fatherland by Robert Harris</strong><br />
Black Sunday by Thomas Harris<br />
Red Dragon by Thomas Harris<br />
Tourist Season by Carl Hiaasen<br />
The Friends of Eddie Coyle by George V Higgins<br />
Strangers on a Train by Patricia Highsmith<br />
The Talented Mr Ripley by Patricia Highsmith<br />
Bones and Silence by Reginald Hill<br />
A Rage in Harlem by Chester Himes<br />
Miss Smilla&#8217;s Feeling for Snow by Peter Hoeg<br />
Rogue Male by Geoffrey Household<br />
Malice Aforethought by Francis Iles<br />
Silence of the Grave by Arnadur Indridason<br />
Death at the President&#8217;s Lodging by Michael Innes<br />
Cover Her Face by PD James<br />
A Taste for Death by PD James<br />
Friday the Rabbi Slept Late by Harry Kemelman<br />
Misery by Stephen King<br />
Dolores Claiborne by Stephen King<br />
<strong>Kim by Rudyard Kipling</strong><br />
The Constant Gardener by John le Carre<br />
<strong>Tinker, Tailor, Soldier, Spy by John le Carre</strong><br />
<strong>The Spy Who Came in from the Cold by John le Carre</strong><br />
<strong>To Kill a Mockingbird by Harper Lee</strong><br />
52 Pick-up by Elmore Leonard<br />
<strong>Get Shorty by Elmore Leonard</strong><br />
Motherless Brooklyn by Jonathan Lethem<br />
The Bourne Identity by Robert Ludlum<br />
Cop Hater by Ed McBain<br />
<strong>No Country for Old Men by Cormac McCarthy</strong><br />
Enduring Love by Ian McEwan<br />
Sidetracked by Henning Mankell<br />
Devil in a Blue Dress by Walter Mosley<br />
The Great Impersonation by E Phillips Oppenheim<br />
The Strange Borders of Palace Crescent by E Phillips Oppenheim<br />
My Name is Red by Orhan Pamuk<br />
Toxic Shock by Sara Paretsky<br />
Blacklist by Sara Paretsky<br />
Nineteen Seventy Four by David Peace<br />
Nineteen Seventy Seven by David Peace<br />
The Big Blowdown by George Pelecanos<br />
Hard Revolution by George Pelecanos<br />
<a href="http://bloggingthebookshelf.wordpress.com/2009/07/15/lush-life-richard-price/"><strong>Lush Life by Richard Price</strong></a><br />
The Godfather by Mario Puzo<br />
V by Thomas Pynchon<br />
The Crying of Lot 49 by Thomas Pynchon<br />
Black and Blue by Ian Rankin<br />
The Hanging Gardens by Ian Rankin<br />
Exit Music by Ian Rankin<br />
Judgment in Stone by Ruth Rendell<br />
Live Flesh by Ruth Rendell<br />
Dissolution by CJ Sansom<br />
Whose Body? by Dorothy L Sayers<br />
Murder Must Advertise by Dorothy Le Sayers<br />
The Madman of Bergerac by Georges Simenon<br />
The Blue Room by Georges Simenon<br />
The Laughing Policeman by Maj Sjowall and Per Wahloo<br />
Gorky Park by Martin Cruz Smith<br />
<strong>Of Mice and Men by John Steinbeck</strong><br />
The League of Frightened Men by Rex Stout<br />
Perfume by Patrick Suskind<br />
The Secret History by Donna Tartt<br />
The Daughter of Time by Josephine Tey<br />
The Getaway by Jim Thompson<br />
Pudd&#8217;nhead Wilson by Mark Twain<br />
A Dark-Adapted Eye by Barbara Vine<br />
A Fatal inversion by Barbara Vine<br />
King Solomon&#8217;s Carpet by Barbara Vine<br />
The Four Just Men by Edgar Wallace<br />
Fingersmith by Sarah Waters<br />
Native Son by Richard Wright<br />
Therese Raquin by Emile Zola</p>
<p><strong><a href="http://www.guardian.co.uk/books/2009/jan/20/1000-novels-family-self-part-one">Family and self</a></strong></p>
<p>The Face of Another by Kobo Abe<br />
Little Women by Louisa May Alcott<br />
Behind the Scenes at the Museum by Kate Atkinson<br />
Cat&#8217;s Eye by Margaret Atwood<br />
Epileptic by David B<br />
Room Temperature by Nicholson Baker<br />
Eugenie Grandet by Honore de Balzac<br />
Le Pere Goriot by Honore de Balzac<br />
The Crow Road by Iain Banks<br />
The L Shaped Room by Lynne Reid Banks<br />
Fun Home by Alison Bechdel<br />
Malone Dies by Samuel Beckett<br />
A Legacy by Sybille Bedford<br />
Herzog by Saul Bellow<br />
Humboldt&#8217;s Gift by Saul Bellow<br />
The Old Wives&#8217; Tale by Arnold Bennett<br />
G by John Berger<br />
Extinction by Thomas Bernhard<br />
Two Serious Ladies by Jane Bowles<br />
Any Human Heart by William Boyd<br />
The Death of Virgil by Hermann Broch<br />
Evelina by Fanny Burney<br />
The Way of All Flesh by Samuel Butler<br />
The Sound of my Voice by Ron Butlin<br />
<strong>The Outsider by Albert Camus</strong><br />
Wise Children by Angela Carter<br />
The Professor&#8217;s House by Willa Cather<br />
The Wapshot Chronicle by John Cheever<br />
The Awakening by Kate Chopin<br />
Les Enfants Terrible by Jean Cocteau<br />
The Vagabond by Sidonie-Gabrielle Colette<br />
Manservant and Maidservant by Ivy Compton-Burnett<br />
Being Dead by Jim Crace<br />
Quarantine by Jim Crace<br />
The Mandarins by Simone de Beauvoir<br />
Roxana by Daniel Defoe<br />
Great Expectations by Charles Dickens<br />
<strong>The Brothers Karamazov by Fyodor Dostoevsky</strong><br />
My New York Diary by Julie Doucet<br />
The Millstone by Margaret Drabble<br />
My Family and Other Animals by Gerald Durrell<br />
Silence by Shusaku Endo<br />
The Gathering by Anne Enright<br />
<strong>Middlesex by Jeffrey Eugenides<br />
</strong>As I Lay Dying by William Faulkner<br />
The Sound and the Fury by William Faulkner<br />
The Sportswriter by Richard Ford<br />
Howards End by EM Forster<br />
Spies by Michael Frayn<br />
Hideous Kinky by Esther Freud<br />
The Man of Property by John Galsworthy<br />
Mary Barton by Elizabeth Gaskell<br />
The Immoralist by Andre Gide<br />
The Vatican Cellars by Andre Gide<br />
The Vicar of Wakefield by Oliver Goldsmith<br />
The Power and the Glory by Graham Greene<br />
Hunger by Knut Hamsun<br />
The Shrimp and the Anemone by LP Hartley<br />
<strong>The Old Man and the Sea by Ernest Hemingway</strong><br />
Steppenwolf by Herman Hesse<br />
Narziss and Goldmund by Hermann Hesse<br />
The Three Paradoxes by Paul Hornschemeier<br />
Tom Brown&#8217;s Schooldays by Thomas Hughes<br />
A Prayer for Owen Meany by John Irving<br />
The Ambassadors by Henry James<br />
Washington Square by Henry James<br />
The Tortoise and the Hare by Elizabeth Jenkins<br />
The Unfortunates by BS Johnson<br />
A Portrait of the Artist as a Young Man by James Joyce<br />
<strong>Ulysses by James Joyce</strong><br />
Good Behaviour by Molly Keane<br />
Memet my Hawk by Yasar Kemal<br />
One Flew Over the Cuckoo&#8217;s Nest by Ken Kesey<br />
The Buddha of Suburbia by Hanif Kureishi<br />
Sons and Lovers by DH Lawrence<br />
Cider with Rosie by Laurie Lee<br />
Invitation to the Waltz by Rosamond Lehmann<br />
The Golden Notebook by Doris Lessing<br />
How Green was My Valley by Richard Llewellyn<br />
Martin Eden by Jack London<br />
Under the Volcano by Malcolm Lowry<br />
The Member of the Wedding by Carson McCullers<br />
Palace Walk by Naguib Mahfouz<br />
The Assistant by Bernard Malamud<br />
Buddenbrooks by Thomas Mann<br />
The Chateau by William Maxwell<br />
The Rector&#8217;s Daughter by FM Mayor<br />
The Ordeal of Richard Feverek by George Meredith<br />
Family Matters by Rohinton Mistry<br />
Sour Sweet by Timothy Mo<br />
The Lonely Passion of Judith Hearne by Brian Moore<br />
The Bluest Eye by Toni Morrison<br />
Song of Solomon by Toni Morrison<br />
Who Do You Think You Are? by Alice Munro<br />
The Black Prince by Iris Murdoch<br />
The Man Without Qualities by Robert Musil<br />
A House for Mr Biswas by VS Naipaul<br />
At-Swim-Two-Birds by Flann O&#8217;Brien<br />
<strong>Teach Us to Outgrow Our Madness by Kezaburo Oe</strong><br />
The Moviegoer by Walker Percy<br />
The Bell Jar by Sylvia Plath<br />
My Name Is Asher Lev by Chaim Potok<br />
The Good Companions by JB Priestley<br />
<strong>The Shipping News by E Annie Proulx</strong><br />
<strong>Remembrance of Things Past by Marcel Proust</strong><br />
A Married Man by Piers Paul Read<br />
Pointed Roofs by Dorothy Richardson<br />
The Fortunes of Richard Mahoney by Henry Handel Richardson<br />
Call it Sleep by Henry Roth<br />
Julie, ou la Nouvelle Heloise by Jean-Jacques Rousseau<br />
<strong>The God of Small Things by Arundhati Roy</strong><br />
<strong>The Catcher in the Rye by JD Salinger</strong><br />
Alberta and Jacob by Cora Sandel<br />
<strong>A Suitable Boy by Vikram Seth</strong><br />
Unless by Carol Shields<br />
We Need to Talk About Kevin by Lionel Shriver<br />
The Three Sisters by May Sinclair<br />
The Family Moskat or The Manor or The Estate by Isaac Bashevis Singer<br />
A Thousand Acres by Jane Smiley<br />
On Beauty by Zadie Smith<br />
The Man Who Loved Children by Christina Stead<br />
East of Eden by John Steinbeck<br />
Ballet Shoes by Noel Streatfield<br />
Confessions of Zeno by Italo Svevo<br />
The Magnificent Ambersons by Booth Tarkington<br />
Angel by Elizabeth Taylor<br />
Lark Rise to Candleford by Flora Thompson<br />
The Blackwater Lightship by Colm Toibin<br />
The Secret Diary of Adrian Mole, Aged 13 3/4 by Sue Townsend<br />
Death in Summer by William Trevor<br />
Fathers and Sons by Ivan Turgenev<br />
Peace in War by Miguel de Unamuno<br />
<strong>The Rabbit Omnibus by John Updike</strong><br />
The Color Purple by Alice Walker<br />
Jimmy Corrigan, The Smarest Kid on Earth by Chris Ware<br />
Morvern Callar by Alan Warner<br />
The History of Mr Polly by HG Wells<br />
The Fountain Overflows by Rebecca West<br />
Frost in May by Antonia White<br />
The Tree of Man by Patrick White<br />
The Picture of Dorian Gray by Oscar Wilde<br />
Oranges Are Not the Only Fruit by Jeanette Winterson<br />
I&#8217;ll Go to Bed at Noon by Gerard Woodward<br />
To the Lighthouse by Virginia Woolf<br />
<strong>Mrs Dalloway by Virginia Woolf</strong><br />
Swiss Family Robinson by Johann David Wyss</p>
<p><strong><a href="http://www.guardian.co.uk/books/2009/jan/17/1000-novels-what-makes-great-love-story">Love</a></strong></p>
<p>Le Grand Meaulnes by Henri Alain-Fournier<br />
Dom Casmurro Joaquim by Maria Machado de Assis<br />
Northanger Abbey by Jane Austen<br />
Sense and Sensibility by Jane Austen<br />
Pride and Prejudice by Jane Austen<br />
Mansfield Park by Jane Austen<br />
Emma by Jane Austen<br />
Persuasion by Jane Austen<br />
Giovanni&#8217;s Room by James Baldwin<br />
Nightwood by Djuna Barnes<br />
The Garden of the Finzi-Cortinis by Giorgio Bassani<br />
Love for Lydia by HE Bates<br />
More Die of Heartbreak by Saul Bellow<br />
Lorna Doone by RD Blackmore<br />
The Death of the Heart by Elizabeth Bowen<br />
The Heat of the Day by Elizabeth Bowen<br />
Jane Eyre by Charlotte Bronte<br />
Vilette by Charlotte Bronte<br />
<strong>Wuthering Heights by Emily Bronte</strong><br />
Look At Me by Anita Brookner<br />
Rubyfruit Jungle by Rita Mae Brown<br />
Possession by AS Byatt<br />
<strong>Breakfast at Tiffany&#8217;s by Truman Capote</strong><br />
<strong>Oscar and Lucinda by Peter Carey</strong><br />
A Month in the Country by JL Carr<br />
My Antonia by Willa Cather<br />
A Lost Lady by Willa Cather<br />
Claudine a l&#8217;ecole by Sidonie-Gabrielle Colette<br />
Cheri by Sidonie-Gabrielle Collette<br />
Victory: An Island Tale by Joseph Conrad<br />
The Princess of Cleves by Madame de Lafayette<br />
The Parasites by Daphne du Maurier<br />
Rebecca by Daphne du Maurier<br />
The Lover by Marguerite Duras<br />
Adam Bede by George Eliot<br />
Daniel Deronda by George Eliot<br />
The Mill on the Floss by George Eliot<br />
<strong>The Virgin Suicides by Jeffrey Eugenides</strong><br />
<strong>The Great Gatsby by F Scott Fitzgerald</strong><br />
Tender is the Night by F Scott Fitzgerald<br />
The Blue Flower by Penelope Fitzgerald<br />
Madame Bovary by Gustave Flaubert<br />
The Good Soldier by Ford Madox Ford<br />
A Room with a View by EM Forster<br />
The French Lieutenant&#8217;s Woman by John Fowles<br />
The Snow Goose by Paul Gallico<br />
Ruth by Elizabeth Gaskell<br />
Strait is the Gate by Andre Gide<br />
Sunset Song by Lewis Grassic Gibbon<br />
The Sorrows of Young Werther by Johann Wolfgang Goethe<br />
Living by Henry Green<br />
<a href="http://bloggingthebookshelf.wordpress.com/2009/06/19/the-end-of-the-affair-graham-greene/"><strong>The End of the Affair by Graham Greene</strong></a><br />
The Well of Loneliness by Radclyffe Hall<br />
Far From the Madding Crowd by Thomas Hardy<br />
Jude the Obscure by Thomas Hardy<br />
Tess of the D&#8217;Urbervilles by Thomas Hardy<br />
The Woodlanders by Thomas Hardy<br />
The Go-Between by LP Hartley<br />
The Scarlet Letter by Nathaniel Hawthorne<br />
The Transit of Venus by Shirley Hazzard<br />
<strong>A Farewell to Arms by Ernest Hemingway</strong><br />
The Infamous Army by Georgette Heyer<br />
Regency Buck by Georgette Heyer<br />
The Swimming-Pool Library by Alan Hollinghurst<br />
Green Mansions: A Romance of the Tropical Forest by WH Hudson<br />
Their Eyes Were Watching God by Zora Neale Hurston<br />
Crome Yellow by Aldous Huxley<br />
<strong>The Remains of the Day by Kazuo Ishiguro</strong><br />
Portrait of a Lady by Henry James<br />
The Wings of the Dove by Henry James<br />
The Piano Teacher by Elfriede Jelinek<br />
Beauty and Saddness by Yasunari Kawabata<br />
The Far Pavillions by Mary Margaret Kaye<br />
Zorba the Greek by Nikos Kazantzakis<br />
Moon over Africa by Pamela Kent<br />
The Book of Laughter and Forgetting by Milan Kundera<br />
<strong>The Unbearable Lightness of Being by Milan Kundera</strong><br />
Les Liaisons Dangereuses by Pierre-Ambroise-Francois Choderlos de Laclos<br />
Lady Chatterley&#8217;s Lover by DH Lawrence<br />
The Rainbow by DH Lawrence<br />
Women in Love by DH Lawrence<br />
The Echoing Grove by Rosamond Lehmann<br />
The Weather in the Streets by Rosamond Lehmann<br />
Gentlemen Prefer Blondes by Anita Loos<br />
Zami by Audre Lorde<br />
Foreign Affairs by Alison Lurie<br />
Samarkand by Amin Maalouf<br />
Death in Venice by Thomas Mann<br />
The Silent Duchess by Dacia Maraini<br />
A Heart So White by Javier Marias<br />
<strong>Love in the Time of Cholera by Gabriel Garcia Marquez</strong><br />
Of Human Bondage by Somerset Maugham<br />
So Long, See you Tomorrow by William Maxwell<br />
The Heart is a Lonely Hunter by Carson McCullers<br />
<strong>Atonement by Ian McEwan</strong><br />
The Child in Time by Ian McEwan<br />
The Egoist by George Meredith<br />
Tropic of Cancer by Henry Miller<br />
Patience and Sarah by Isabel Miller<br />
<strong>Gone With the Wind by Margaret Mitchell</strong><br />
The Pursuit of Love by Nancy Mitford<br />
Love in a Cold Climate by Nancy Mitford<br />
Arturo&#8217;s Island by Elsa Morante<br />
<a href="http://bloggingthebookshelf.wordpress.com/2009/06/23/norwegian-wood-haruki-murakami/"><strong>Norwegian Wood by Haruki Murakami</strong></a><br />
<strong>Lolita, or the Confessions of a White Widowed Male by Vladimir Nabokov</strong><br />
The Painter of Signs by RK Narayan<br />
Delta of Venus by Anais Nin<br />
All Souls Day by Cees Nooteboom<br />
<strong>The English Patient by Michael Ondaatje</strong><br />
Doctor Zhivago by Boris Pasternak<br />
Manon Lescaut by Abbe Prevost<br />
Wide Sargasso Sea by Jean Rhys<br />
Maurice Guest by Henry Handel Richardson<br />
Pamela by Samuel Richardson<br />
Clarissa by Samuel Richardson<br />
Gilead by Marilynne Robinson<br />
Bonjour Tristesse by Francoise Sagan<br />
Ali and Nino by Kurban Said<br />
Light Years by James Salter<br />
A Sport and a Passtime by James Salter<br />
The Reader by Benhardq Schlink<br />
The Reluctant Orphan by Aara Seale<br />
Love Story by Eric Segal<br />
Enemies, a Love Story by Isaac Bashevis Singer<br />
At Grand Central Station I Sat Down and Wept by Elizabeth Smart<br />
I Capture the Castle by Dodie Smith<br />
The Map of Love by Ahdaf Soueif<br />
Valley of the Dolls by Jacqueline Susann<br />
Waterland by Graham Swift<br />
Diary of a Mad Old Man by Junichiro Tanizaki<br />
<strong>Anna Karenina by Leo Tolstoy</strong><br />
Music and Silence by Rose Tremain<br />
First Love by Ivan Turgenev<br />
Breathing Lessons by Anne Tyler<br />
The Accidental Tourist by Anne Tyler<br />
The Night Watch by Sarah Waters<br />
<strong>The Graduate by Charles Webb</strong><br />
The Age of Innocence by Edith Wharton<br />
The Passion by Jeanette Winterson<br />
East Lynne by Ellen Wood<br />
<strong>Revolutionary Road by Richard Yates</strong></p>
<p><strong><a href="http://www.guardian.co.uk/books/2009/jan/22/1000-novels-fiction-fantasy-introduction">Science fiction and fantasy</a></strong></p>
<p><strong>The Hitchhikers Guide to the Galaxy by Douglas Adams</strong><br />
Non-Stop by Brian W Aldiss<br />
<strong>Foundation by Isaac Asimov</strong><br />
The Blind Assassin by Margaret Atwood<br />
The Handmaid&#8217;s Tale by Margaret Atwood<br />
In the Country of Last Things by Paul Auster<br />
The Drowned World by JG Ballard<br />
Crash by JG Ballard<br />
Millennium People by JG Ballard<br />
The Wasp Factory by Iain Banks<br />
Consider Phlebas by Iain M Banks<br />
Weaveworld by Clive Barker<br />
Darkmans by Nicola Barker<br />
The Time Ships by Stephen Baxter<br />
Darwin&#8217;s Radio by Greg Bear<br />
Vathek by William Beckford<br />
The Stars My Destination by Alfred Bester<br />
Fahrenheit 451 by Ray Bradbury<br />
Lost Souls by Poppy Z Brite<br />
Wieland by Charles Brockden Brown<br />
Rogue Moon by Algis Budrys<br />
The Master and Margarita by Mikhail Bulgakov<br />
The Coming Race by EGEL Bulwer-Lytton<br />
A Clockwork Orange by Anthony Burgess<br />
The End of the World News by Anthony Burgess<br />
A Princess of Mars by Edgar Rice Burroughs<br />
Naked Lunch by William Burroughs<br />
Kindred by Octavia Butler<br />
Erewhon by Samuel Butler<br />
The Baron in the Trees by Italo Calvino<br />
The Influence by Ramsey Campbell<br />
<strong>Alice&#8217;s Adventures in Wonderland by Lewis Carroll</strong><br />
Through the Looking Glass and What Alice Found There by Lewis Carroll<br />
Nights at the Circus by Angela Carter<br />
The Passion of New Eve by Angela Carter<br />
The Amazing Adventures of Kavalier and Clay by Michael Chabon<br />
The Man who was Thursday by GK Chesterton<br />
Childhood&#8217;s End by Arthur C Clarke<br />
Jonathan Strange &amp; Mr Norrell by Susanna Clarke<br />
Hello Summer, Goodbye by Michael G Coney<br />
Girlfriend in a Coma by Douglas Coupland<br />
House of Leaves by Mark Danielewski<br />
Pig Tales by Marie Darrieussecq<br />
The Einstein Intersection by Samuel R Delaney<br />
Do Androids Dream of Electric Sheep? by Philip K Dick<br />
The Man in the High Castle by Philip K Dick<br />
Camp Concentration by Thomas M Disch<br />
Foucault&#8217;s Pendulum by Umberto Eco<br />
Under the Skin by Michel Faber<br />
The Magus by John Fowles<br />
American Gods by Neil Gaiman<br />
Red Shift by Alan Garner<br />
Neuromancer by William Gibson<br />
Herland by Charlotte Perkins Gilman<br />
Lord of the Flies by William Golding<br />
The Forever War by Joe Haldeman<br />
Light by M John Harrison<br />
The House of the Seven Gables by Nathaniel Hawthorne<br />
Stranger in a Strange Land by Robert A Heinlein<br />
Dune by Frank L Herbert<br />
The Glass Bead Game by Herman Hesse<br />
Riddley Walker by Russell Hoban<br />
The Private Memoirs and Confessions of a Justified Sinner by James Hogg<br />
Atomised by Michel Houellebecq<br />
<strong>Brave New World by Aldous Huxley</strong><br />
<strong>The Unconsoled by Kazuo Ishiguro</strong><br />
The Haunting of Hill House by Shirley Jackson<br />
The Turn of the Screw by Henry James<br />
The Children of Men by PD James<br />
After London; or, Wild England by Richard Jefferies<br />
Bold as Love by Gwyneth Jones<br />
<strong>The Trial by Franz Kafka</strong><br />
Flowers for Algernon by Daniel Keyes<br />
The Shining by Stephen King<br />
The Victorian Chaise-longue by Marghanita Laski<br />
Uncle Silas by Joseph Sheridan Le Fanu<br />
The Earthsea Series by Ursula Le Guin<br />
The Left Hand of Darkness by Ursula Le Guin<br />
Solaris by Stanislaw Lem<br />
Memoirs of a Survivor by Doris Lessing<br />
The Chronicles of Narnia by CS Lewis<br />
The Monk by Matthew Lewis<br />
A Voyage to Arcturus by David Lindsay<br />
The Night Sessions by Ken Macleod<br />
Beyond Black by Hilary Mantel<br />
Only Forward by Michael Marshall Smith<br />
I Am Legend by Richard Matheson<br />
Melmoth the Wanderer by Charles Maturin<br />
The Butcher Boy by Patrick McCabe<br />
<strong>The Road by Cormac McCarthy</strong><br />
Ascent by Jed Mercurio<br />
The Scar by China Mieville<br />
Ingenious Pain by Andrew Miller<br />
A Canticle for Leibowitz by Walter M Miller Jr<br />
Cloud Atlas by David Mitchell<br />
Mother London by Michael Moorcock<br />
News from Nowhere by William Morris<br />
Beloved by Toni Morrison<br />
<strong>The Wind-Up Bird Chronicle by Haruki Murakami</strong><br />
Ada or Ardor by Vladimir Nabokov<br />
The Time Traveler&#8217;s Wife by Audrey Niffenegger<br />
Ringworld by Larry Niven<br />
Vurt by Jeff Noon<br />
The Third Policeman by Flann O&#8217;Brien<br />
The Famished Road by Ben Okri<br />
<strong>Nineteen Eighty-Four by George Orwell</strong><br />
<strong>Fight Club by Chuck Palahniuk</strong><br />
Nightmare Abbey by Thomas Love Peacock<br />
Titus Groan by Mervyn Peake<br />
The Space Merchants by Frederik Pohl and CM Kornbluth<br />
A Glastonbury Romance by John Cowper Powys<br />
The Discworld Series by Terry Pratchett<br />
The Prestige by Christopher Priest<br />
His Dark Materials by Philip Pullman<br />
Gargantua and Pantagruel by Francois Rabelais<br />
The Mysteries of Udolpho by Ann Radcliffe<br />
Revelation Space by Alastair Reynolds<br />
The Years of Rice and Salt by Kim Stanley Robinson<br />
Harry Potter and the Philosopher&#8217;s Stone by JK Rowling<br />
Satanic Verses by Salman Rushdie<br />
The Female Man by Joanna Russ<br />
Air by Geoff Ryman<br />
The Little Prince by Antoine de Saint-Exupery<br />
Blindness by Jose Saramago<br />
How the Dead Live by Will Self<br />
Frankenstein by Mary Shelley<br />
Hyperion by Dan Simmons<br />
Star Maker by Olaf Stapledon<br />
Snow Crash by Neal Stephenson<br />
The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson<br />
<strong>Dracula by Bram Stoker</strong><br />
The Insult by Rupert Thomson<br />
The Hobbit by JRR Tolkien<br />
The Lord of the Rings by JRR Tolkien<br />
A Connecticut Yankee in King Arthur&#8217;s Court by Mark Twain<br />
Sirens of Titan by Kurt Vonnegut<br />
The Castle of Otranto by Horace Walpole<br />
Institute Benjamenta by Robert Walser<br />
Lolly Willowes by Sylvia Townsend Warner<br />
Affinity by Sarah Waters<br />
The Time Machine by HG Wells<br />
The War of the Worlds by HG Wells<br />
The Sword in the Stone by TH White<br />
The Old Men at the Zoo by Angus Wilson<br />
The Book of the New Sun by Gene Wolfe<br />
Orlando by Virginia Woolf<br />
<strong>Day of the Triffids by John Wyndham</strong><br />
The Midwich Cuckoos by John Wyndham<br />
We by Yevgeny Zamyatin</p>
<p><strong><a href="http://www.guardian.co.uk/books/2009/jan/21/1000-novels-state-of-the-nation2">State of the nation</a></strong></p>
<p><strong>Things Fall Apart by Chinua Achebe</strong><br />
<strong>Anthills of the Savannah by Chinua Achebe<br />
</strong>London Fields by Martin Amis<br />
Untouchable by Mulk Raj Anand<br />
Go Tell it on the Mountain by James Baldwin<br />
La Comedie Humaine by Honore de Balzac<br />
They Were Counted by Miklos Banffy<br />
A Kind of Loving by Stan Barstow<br />
Uncle Tom&#8217;s Cabin by Harriet Beecher Stowe<br />
Oroonoko, or The Royal Slave by Aphra Behn<br />
Clayhanger by Arnold Bennett<br />
The Last September by Elizabeth Bowen<br />
Room at the Top by John Braine<br />
A Dry White Season by Andre Brink<br />
Shirley by Charlotte Bronte<br />
Earthly Powers by Anthony Burgess<br />
The Virgin in the Garden by AS Byatt<br />
Tobacco Road by Erskine Caldwell<br />
<strong>The Plague by Albert Camus</strong><br />
The Kingdom of this World by Alejo Carpentier<br />
What a Carve Up! by Jonathan Coe<br />
Disgrace by JM Coetzee<br />
Waiting for the Barbarians by JM Coeztee<br />
Microserfs by Douglas Coupland<br />
Moll Flanders by Daniel Defoe<br />
Underworld by Don DeLillo<br />
White Noise by Don DeLillo<br />
A Tale of Two Cities by Charles Dickens<br />
Bleak House by Charles Dickens<br />
Dombey and Son by Charles Dickens<br />
Hard Times by Charles Dickens<br />
Little Dorritt by Charles Dickens<br />
Oliver Twist by Charles Dickens<br />
Play It As It Lays by Joan Didion<br />
Sybil or The Two Nations by Benjamin Disraeli<br />
Berlin Alexanderplatz by Alfred Döblin<br />
The Book of Daniel by EL Doctorow<br />
Notes from the Underground by Fyodor Dostoevsky<br />
The Idiot by Fyodor Dostoevsky<br />
USA by John Dos Passos<br />
Sister Carrie by Theodor Dreiser<br />
Castle Rackrent by Maria Edgeworth<br />
Middlemarch by George Eliot<br />
Silas Marner by George Eliot<br />
The Invisible Man by Ralph Ellison<br />
Sentimental Education by Gustave Flaubert<br />
Effi Briest by Theodore Fontane<br />
Independence Day by Richard Ford<br />
<strong>A Passage to India by EM Forster<br />
<a href="http://bloggingthebookshelf.wordpress.com/2009/06/15/the-corrections-jonathan-franzen/"> The Corrections by Jonathan Franzen</a></strong><br />
The Recognitions by William Gaddis<br />
Cranford by Elizabeth Gaskell<br />
North and South by Elizabeth Gaskell<br />
The Counterfeiters by Andre Gide<br />
The Odd Women by George Gissing<br />
New Grub Street by George Gissing<br />
July&#8217;s People by Nadine Gordimer<br />
Mother by Maxim Gorky<br />
Lanark by Alastair Gray<br />
Love on the Dole by Walter Greenwood<br />
The Mayor of Casterbridge by Thomas Hardy<br />
A Kestrel for a Knave by Barry Hines<br />
The Line of Beauty by Alan Hollinghurst<br />
South Riding by Winifred Holtby<br />
Les Miserables by Victor Hugo<br />
Goodbye to Berlin by Christopher Isherwood<br />
Chronicle in Stone by Ismael Kadare<br />
How Late it Was, How Late by James Kelman<br />
The Leopard by Giuseppi di Lampedusa<br />
A Girl in Winter by Philip Larkin<br />
Passing by Nella Larsen<br />
The Grass is Singing by Doris Lessing<br />
Babbitt by Sinclair Lewis<br />
Elmer Gantry by Sinclair Lewis<br />
Main Street by Sinclair Lewis<br />
Absolute Beginners by Colin MacInnes<br />
The Group by Mary McCarthy<br />
Amongst Women by John McGahern<br />
The Posthumous Memoirs of Bras Cubas by Joaquim Maria Machado de Assis<br />
Of Love &amp; Hunger by Julian Maclaren-Ross<br />
<strong>Remembering Babylon by David Malouf</strong><br />
The Magic Mountain by Thomas Mann<br />
The Betrothed by Alessandro Manzoni<br />
Bel-Ami by Guy de Maupassant<br />
<strong>A Fine Balance by Rohinton Mistry</strong><br />
The Time of Indifference by Alberto Moravia<br />
A Bend in the River by VS Naipaul<br />
McTeague by Frank Norris<br />
Personality by Andrew O&#8217;Hagan<br />
<strong>Animal Farm by George Orwell</strong><br />
The Ragazzi Pier by Paolo Pasolini<br />
Cry, the Beloved Country by Alan Paton<br />
The Moon and the Bonfire by Cesare Pavese<br />
GB84 by David Peace<br />
Headlong Hall by Thomas Love Peacock<br />
Afternoon Men by Anthony Powell<br />
Vineland by Thomas Pynchon<br />
The Radetzky March by Joseph Roth<br />
American Pastoral by Philip Roth<br />
The Human Stain by Philip Roth<br />
Midnight&#8217;s Children by Salman Rushdie<br />
Shame by Salman Rushdie<br />
To Each his Own by Leonardo Sciascia<br />
Staying On by Paul Scott<br />
<strong>Last Exit to Brooklyn by Hubert Selby Jr</strong><br />
The Lonely Londoners by Samuel Selvon<br />
God&#8217;s Bit of Wood by Ousmane Sembene<br />
The Case of Comrade Tulayev by Victor Serge<br />
Richshaw Boy by Lao She<br />
Saturday Night and Sunday Morning by Alan Sillitoe<br />
The Jungle by Upton Sinclair<br />
Novel on Yellow Paper by Stevie Smith<br />
White Teeth by Zadie Smith<br />
<strong><a href="http://bloggingthebookshelf.wordpress.com/2009/06/10/one-day-in-the-life-of-ivan-denisovich-alexander-solzhenitzyn/">One Day in the Life of Ivan Denisovtich by Alexandr Solzhenitsyn</a><br />
The Grapes of Wrath by John Steinbeck</strong><br />
The Red and the Black by Stendhal<br />
This Sporting Life by David Storey<br />
The Red Room by August Stringberg<br />
The Home and the World by Rabindranath Tagore<br />
Vanity Fair by William Makepeace Thackeray<br />
The Ragged Trousered Philanthropists by Robert Tressell<br />
The Last Chronicle of Barset by Anthony Trollope<br />
The Way We Live Now by Anthony Trollope<br />
<strong>The Adventures of Tom Sawyer by Mark Twain</strong><br />
Couples by John Updike<br />
Z by Vassilis Vassilikos<br />
Billy Liar by Keith Waterhouse<br />
<strong>Trainspotting by Irvine Welsh</strong><br />
The Day of the Locust by Nathanael West<br />
The Return of the Soldier by Rebecca West<br />
The House of Mirth by Edith Wharton<br />
The Bonfire of the Vanities by Tom Wolfe<br />
Germinal by Emile Zola<br />
La Bete Humaine by Emile Zola</p>
<p><strong><a href="http://www.guardian.co.uk/books/2009/jan/23/1000-novels-war-travel2">War and travel</a></strong></p>
<p>Silver Stallion by Junghyo Ahn<br />
Death of a Hero by Richard Aldington<br />
Master Georgie by Beryl Bainbridge<br />
Darkness Falls from the Air by Nigel Balchin<br />
Empire of the Sun by JG Ballard<br />
Regeneration by Pat Barker<br />
A Long Long Way by Sebastian Barry<br />
Fair Stood the Wind for France by HE Bates<br />
Carrie&#8217;s War by Nina Bawden<br />
The Savage Detectives by Roberto Bolano<br />
The Sheltering Sky by Paul Bowles<br />
An Ice-Cream War by William Boyd<br />
When the Wind Blows by Raymond Briggs<br />
Invisible Cities by Italo Calvino<br />
Auto-da-Fe by Elias Canetti<br />
One of Ours by Willa Cather<br />
Journey to the End of the Night by Louis-Ferdinand Celine<br />
Monkey by Wu Ch&#8217;eng-en<br />
<a href="http://bloggingthebookshelf.wordpress.com/2009/06/25/heart-of-darkness-joseph-conrad/"><strong>Heart of Darkness by Joseph Conrad</strong></a><br />
Lord Jim by Joseph Conrad<br />
Nostromo by Joseph Conrad<br />
Sharpe&#8217;s Eagle by Bernard Cornwell<br />
The History of Pompey the Little by Francis Coventry<br />
The Red Badge of Courage by Stephen Crane<br />
Robinson Crusoe by Daniel Defoe<br />
Bomber by Len Deighton<br />
Deliverance by James Dickey<br />
Three Soldiers by John Dos Passos<br />
South Wind by Norman Douglas<br />
The Three Musketeers by Alexandre Dumas<br />
Justine by Lawrence Durrell<br />
The Bamboo Bed by William Eastlake<br />
The Siege of Krishnapur by JG Farrell<br />
Birdsong by Sebastian Faulks<br />
Parade&#8217;s End by Ford Madox Ford<br />
The African Queen by CS Forester<br />
The Ship by CS Forester<br />
Flashman by George MacDonald Fraser<br />
Cold Mountain by Charles Frazier<br />
<strong>The Beach by Alex Garland</strong><br />
To The Ends of the Earth trilogy by William Golding<br />
Asterix the Gaul by Rene Goscinny<br />
The Tin Drum by Gunter Grass<br />
Count Belisarius by Robert Graves<br />
Life and Fate by Vassily Grossman<br />
De Niro&#8217;s Game by Rawi Hage<br />
King Solomon&#8217;s Mines by H Rider Haggard<br />
She: A History of Adventure by H Rider Haggard<br />
The Slaves of Solitude by Patrick Hamilton<br />
Covenant with Death by John Harris<br />
<strong>Enigma by Robert Harris</strong><br />
The Good Soldier Svejk by Jaroslav Hasek<br />
<strong>For Whom the Bell Tolls by Ernest Hemingway</strong><br />
The Prisoner of Zenda by Anthony Hope<br />
<strong>The Kite Runner by Khaled Hosseini</strong><br />
A High Wind in Jamaica by Richard Hughes<br />
Rasselas by Samuel Johnson<br />
From Here to Eternity by James Jones<br />
Andersonville by MacKinlay Kantor<br />
Confederates by Thomas Keneally<br />
Schindler&#8217;s Ark by Thomas Keneally<br />
Day by AL Kennedy<br />
On the Road by Jack Kerouac<br />
Darkness at Noon by Arthur Koestler<br />
The Painted Bird by Jerzy Kosinski<br />
If Not Now, When? by Primo Levi<br />
The Call of the Wild by Jack London<br />
The Guns of Navarone by Alistair MacLean<br />
All the Pretty Horses by Cormac McCarthy<br />
Blood Meridian by Cormac McCarthy<br />
The Mark of Zorro by Johnston McCulley<br />
Lonesome Dove by Larry McMurty<br />
<strong>The Naked and the Dead by Norman Mailer</strong><br />
La Condition Humaine by Andre Malraux<br />
Fortunes of War by Olivia Manning<br />
One Hundred Years of Solitude by Gabriel Garcia Marquez<br />
The Children of the New Forest by Frederick Marryat<br />
<strong>Moby-Dick or, The Whale by Herman Melville</strong><br />
Tales of the South Pacific by James Michener<br />
The Cruel Sea by Nicholas Monsarrat<br />
History by Elsa Morante<br />
Suite Francaise by Irene Nemirovsky<br />
The Sorrow of War by Bao Ninh<br />
Master and Commander by Patrick O&#8217;Brian<br />
The Things They Carried by Tim O&#8217;Brien<br />
The Scarlet Pimpernel by Baroness Emmuska Orczy<br />
Burmese Days by George Orwell<br />
Zen and the Art of Motorcycle Maintenance by Robert Pirsig<br />
The Valley of Bones by Anthony Powell<br />
The Soldier&#8217;s Art by Anthony Powell<br />
The Military Philosophers by Anthony Powell<br />
Gravity&#8217;s Rainbow by Thomas Pynchon<br />
The Surprising Adventures of Baron Munchausen by Rudolp Erich Raspe<br />
All Quiet on the Western Front by Erich Maria Remarque<br />
The Crab with the Golden Claws by Georges Remi Herge<br />
Tintin in Tibet by Georges Remi Herge<br />
The Castafiore Emerald by Georges Remi Herge<br />
The Devil to Pay in the Backlands by Joao Guimaraes Rosa<br />
Sacaramouche by Rafael Sabatini<br />
Captain Blood by Rafael Sabatini<br />
<a href="http://bloggingthebookshelf.wordpress.com/2009/05/27/everything-is-illuminated-jonathan-safran-foer/"><strong>Everything is Illuminated by Jonathon Safran Foer</strong></a><br />
The Hunters by James Salter<br />
Ivanhoe by Sir Walter Scott<br />
The Rings of Saturn by WG Sebald<br />
Austerlitz by WG Sebald<br />
Black Beauty by Anna Sewell<br />
The Young Lions by Irwin Shaw<br />
A Town Like Alice by Nevil Shute<br />
Maus by Art Spiegelman<br />
The Charterhouse of Parma by Stendhal<br />
Cryptonomicon by Neil Stephenson<br />
A Sentimental Journey by Lawrence Sterne<br />
Kidnapped by Robert Louis Stevenson<br />
<strong>Treasure Island by Robert Louis Stevenson</strong><br />
A Flag for Sunrise by Robert Stone<br />
Sophie&#8217;s Choice by William Styron<br />
<strong>Gulliver&#8217;s Travels by Jonathan Swift</strong><br />
War and Peace by Leo Tolstoy<br />
<strong>The Adventures of Huckleberry Finn by Mark Twain</strong><br />
<strong>Around the World in Eighty Days by Jules Verne</strong><br />
A Journey to the Centre of the Earth by Jules Verne<br />
Williwaw by Gore Vidal<br />
Candide by Voltaire<br />
<strong>Slaughter-House Five by Kurt Vonnegut</strong><br />
Put Out More Flags by Evelyn Waugh<br />
Men at Arms by Evelyn Waugh<br />
The Island of Dr Moreau by HG Wells<br />
The Machine-Gunners by Robert Westall<br />
Voss by Patrick White<br />
The Virginian by Owen Wister<br />
The Caine Mutiny by Herman Wouk<br />
The Debacle by Emile Zola</p></blockquote>
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		<title>The Searchers, 93 Smith St, Fitzroy</title>
		<link>http://www.bloggingthebookshelf.com/2009/06/16/the-searchers-93-smith-st-fitzroy/</link>
		<comments>http://www.bloggingthebookshelf.com/2009/06/16/the-searchers-93-smith-st-fitzroy/#comments</comments>
		<pubDate>Tue, 16 Jun 2009 11:47:39 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Admin]]></category>

		<guid isPermaLink="false">http://bloggingthebookshelf.wordpress.com/?p=938</guid>
		<description><![CDATA[A break in programming here to syndicate a Blogging the Bookshelf related post at my fiancee&#8217;s excellent but dichotomous blog of Melbourne&#8217;s eating, drinking, shopping and entertainment options: MEL: HOT or NOT: HOT: The Searchers, 93 Smith St, Fitzroy In a bid to save money, RM has been valianting attempting to curb his book-buying habit. [...]]]></description>
			<content:encoded><![CDATA[<p>A break in programming here to syndicate a Blogging the Bookshelf related <a href="http://melhotornot.blogspot.com/2009/06/hot-searchers-93-smith-st-fitzroy.html">post </a>at my fiancee&#8217;s excellent but dichotomous blog of Melbourne&#8217;s eating, drinking, shopping and entertainment options: MEL: HOT or NOT:</p>
<blockquote>
<h3><a href="http://melhotornot.blogspot.com/2009/06/hot-searchers-93-smith-st-fitzroy.html">HOT: The Searchers, 93 Smith St, Fitzroy</a></h3>
<p>In a bid to save money, RM has been valianting attempting to curb his book-buying habit. I think this is a worthy goal given that at great cost we have recently packed, shipped and unpacked twenty boxes containing our combined book collection, and when we move again I don&#8217;t fancy packing and moving forty boxes of books. Plus, we have a library 5 minutes walk from our house, with more books than we could ever read in our lifetime.</p>
<p>But I don&#8217;t want to be known as the no-fun-fiancee. So when RM turned his big sad puppy eyes at me, I couldn&#8217;t bear to deny him a little look inside The Searchers. The airy, well-organised and well-stocked shop is the antithesis of the dusty higgledy-piggledy mess of your usual secondhand bookstore (they also sell vinyl records) and I&#8217;ll admit it&#8217;s a pleasant place to browse. But naturally RM couldn&#8217;t just browse &#8211; he came away with The Road by <a href="http://www.cormacmccarthy.com/">Cormac McCarthy</a> (even though he warned me from against this supposedly unreadable book to my book club!) and The Art of Travel DVD by Alain de Botton.</p></blockquote>
<p>Given my current reading queue, you can expect a review of &#8220;The Road&#8221; sometime in the next two years&#8230;.</p>
<p>Really though, The Searchers is one of the best second hand book stores I&#8217;ve come across. Not the largest selection, but a very high quality offering of modern literature. If I wasn&#8217;t on a book buying diet I could have bought half a dozen books here.</p>
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		<title>Welcome!</title>
		<link>http://www.bloggingthebookshelf.com/2009/05/23/welcome/</link>
		<comments>http://www.bloggingthebookshelf.com/2009/05/23/welcome/#comments</comments>
		<pubDate>Sat, 23 May 2009 04:14:48 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Admin]]></category>

		<guid isPermaLink="false">http://bloggingthebookshelf.wordpress.com/?p=122</guid>
		<description><![CDATA[Welcome to Blogging the Bookshelf! The premise of this site is fairly self-explanatory; I&#8217;m going to blog my way through my entire bookshelf. Why? Well at the most prosaic level, I&#8217;ve recently returned to Australia from a period in the UK. Given that this was always going to be a temporary move, my books have [...]]]></description>
			<content:encoded><![CDATA[<p>Welcome to Blogging the Bookshelf!</p>
<p>The premise of this site is fairly self-explanatory; I&#8217;m going to blog my way through my entire bookshelf.</p>
<p>Why?</p>
<p>Well at the most prosaic level, I&#8217;ve recently returned to Australia from a period in the UK. Given that this was always going to be a temporary move, my books have been boxed up in a shed at my parents&#8217; place for the past 18 months. Blogging my way through my newly liberated bookshelf seemed like an appropriate way to celebrate taking them out of storage, as well as to justify the cost of keeping and storing them when I sold literally everything else I owned.</p>
<p>But at a more significant level,  I&#8217;ve invested a completely inordinate amount of both time and money in the books on my bookshelf over the years &#8211; both in acquiring them and in moving them from one cramped inner-city sharehouse to another. Much to my fiance&#8217;s frustration, I can&#8217;t bend my reading habits to the strictures of library lending. Similarly, except for the most egregious examples, I can&#8217;t on sell or throw out a book once I&#8217;ve finished it. It&#8217;s strange, and highly inconvenient behaviour.</p>
<p>Once I&#8217;ve read a book, I&#8217;m always anxious not to forget lose any of the little inspirations, insights and trivia that come with the reading experience. Perhaps it&#8217;s the congenital &#8216;achiever&#8217; in me, but I&#8217;ve always been motivated to get the most out of my reading. I&#8217;ve long dog-eared the bottoms of pages with particularly engaging passages and frequently delve back into my bookshelf to consume them a second time. Given the nature of the medium, I thought that blogging these little grabs might be a fun way to go back and explore what has really grabbed me in my reading to date.</p>
<p>That being said, this blog won&#8217;t contain in-depth or literary minded reviews as such. Instead, for each book I&#8217;ll just include a brief synopsis for the unfamiliar and then an eclectic mix of whatever interests me from it&#8217;s contents. In a similar vein, this blog won&#8217;t be representative of any particular cannon and will be heavily skewed to the peculiarities of my literary taste. If you&#8217;re a fan of Japanese or Chinese literature, &#8216;modern classics&#8217;, political biography or policy tomes &#8211; you&#8217;ll find plenty here to interest you. If not, maybe not so much.</p>
<p>No doubt my perceptions will be coloured by time and new perspectives, and I&#8217;m sure there will be plenty of books from my past that I&#8217;ll be embarrassed to have even read let alone to be blogging about today, but appreciating this perspective is exactly why I kept them in the first place.</p>
<p>This is my first foray into the world of &#8216;culture blogging&#8217;. It&#8217;s also my first attempt at blogging about something in which I have no formal education or experience. So we&#8217;ll see how it goes. Suffice to say that I don&#8217;t claim expertise about anything in the posts of this blog and welcome any input or insights that anyone else has to offer.</p>
<p>So without further ado, onto the bookshelf&#8230;.</p>
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